• Posted October, 2011

    Since the advent of rock and roll in the 50’s, it seems that there is at least one person or band that served as a lightning rod of criticism of the genre.  It started with Elvis in the 50’s and then on to the Rolling Stones in the sixties.  In the seventies, Alice Cooper and KISS drew hostile artillery from parents and press, alike.

    In the late eighties, the cloak of controversy fell – no, strike that – was taken by force by an aggressive new band called Guns N’ Roses.  The band sonically carpet bombed the world with their debut album, Appetite for Destruction, unleashing such hits as Welcome to the Jungle, Sweet Child o’ Mine and Paradise City.  With subsequent tours and multi-million selling albums, the band developed the reputation as The World’s Most Dangerous Band.

    Last month, the band was nominated for induction into the Rock and Roll Hall of Fame which, under howls of “foul” by fans of many other artists and bands, stirred up more controversy.  Then, again, a large percentage of nominations from the Hall have attracted the same kinds of criticisms so the more things change, the more they remain the same.

    To the outside world, every GNR tour (and this current tour is no exception) appears to be a rolling thunderstorm of chaos, confusion and confrontation.  I caught up with Dizzy by phone at his hotel room in Paraguay during the South American leg of GNR’s tour and I asked Dizzy if the view from behind the keyboards is any different than the fan’s perception.

    “Well, you know, it is different. It’s confusion, chaos and rolling thunder. It’s similar to how it’s probably perceived but the most amazing thing is that we actually get out there and get the show on for everybody and that’s the most important thing.”  Dizzy concludes with a bit of humor, “I’m sitting right now in a hotel room in Paraguay and wondering how I’m going to get a cup of coffee.”

    Once upon a time, that crisis would have precipitated a royal trashing of a hotel room if not the entire floor but cooler heads obviously prevailed.

    Artists and bands are often mischaracterized in the press and by “urban legend”.  While I seriously doubt that the boys in the band were holding Bible study every night while they’re on the road, I did suspect that there was more to the stories that I have read.  Laughing, Dizzy shed some light as to how the band is misunderstood and misquoted.

    “Everything’s misquoted.”  Reed then shares a personal story as an example of how the view of the fans often is different from the reality of the band.

    “I was watching a friend’s band at this tattoo convention out in California a couple of months ago.  This guy comes up to me and goes, ‘Do you still ride?’  I say, ‘What? What are you talking about?’ He goes, ‘Oh, c’mon, man! You’re gonna blow the whole image!’  I go, ‘What image is that?’  He goes, ‘You know! You ride motorcycles!’  I’m like, ‘I’ve never been on a motorcycle in my life, dude! And, you know what? To be honest, I don’t know too many others in the band or have ever been in the band who has spent a lot of time on motorcycles. I don’t know what you’re talking about.’

    “People get it in their head what they want and they’re going to believe it until it’s proved wrong. I don’t think he was a big Guns N’ Roses fan to begin with or he would have known that.  There are a lot of those people out there. Honestly, I think about my favorite bands as I was growing up and I had these images of them of how I wanted them to be like. I never got to meet them so I don’t know. Maybe they were like that. Maybe they weren’t. There are so many people who are going to think what they want to think.”

    Busting into his humorous vein again, Dizzy engages in a mock conversation with the mistaken biker fan.

    “‘Yeah, man! Let’s do a ride, dude!  Awesome!  I’m going to Sturgis, like, five times once this year! I’m going back and forth. It’s awesome!’  But, I wasn’t in the mood so I just said, “Sorry, I hate to blow your image.”

    Along the same line of thought, Reed shares where he thinks band mate, Axl Rose, is getting unfair characterization.

    “The guy works his butt off constantly. I don’t know if that ever gets represented.  He’s had so much to do with the success of the band over the years. Perhaps he doesn’t make himself as visible as other people that have been in the band.  Therefore, he doesn’t get attached to what was, what has been and what will be the success of the band when he probably has more to do with it than a lot of people outside of the raw riffs and guitar talent that he’s surrounded himself with.  I think that might be one thing – the main thing.”

    In “Guns N’ Roses” years, Dizzy is the second oldest member of the band, second only to Axl.  I state that as a lead-in to my next question when he interrupts me.

    “In ‘Guns N’ Roses’ years, I’m like 275!”  And what does that make Axl?  “300, probably”.

    With so many GNR years behind him, I asked Reed how this tour is different from the other tours over the years.

    “Right now, we’re in sort of the same mode that we’ve been in the last couple of years – like all of last year.  I was thinking about South America last year and I go, ‘Oh, wait! I’m in South America again!’ It’s the same show. We’re doing a couple of new songs that we haven’t done – new ‘old’ songs and new ‘new’ songs. Other than that, it’s pretty much the same. We’ve had DJ Ashba on board now for going on two years, I guess. So, that’s different but it’s great!”

    As for what’s next for the band after this tour, Reed says with a laugh, “I go home and dry out for the holidays.” Then, in a slightly more serious tone, adds, “I keep ticking away on my solo album when we have some down time. If we have some significant down time then I’m out performing those songs with whoever I can get together to play with me. So, that’s what I’ll be doing.  You never know what’s around the corner for Guns N’ Roses, to be perfectly honest about it. It’s an ongoing, constant ‘adventure’. Hey, it keeps things exciting!”

    As our call was wrapping up and Dizzy about to continue his search for a cup of coffee, I asked him how he hoped he and the band would be remembered and what their legacy would be.

    “I hope people remember that I added some tangible, cool stuff to the band’s music and helped the band grow; that the band is remembered – that we delivered kick-ass music on a nightly basis that, hopefully, affected people in a positive way. I’m leaving my dream and I hope somehow, some way, people can get that out of the music and be able to apply it to themselves and do what they want to do with their life.”

    You can keep up with all things Guns N’ Roses at GunsNRoses.com.  Be sure to go there to check out when they’ll be appearing at a venue near you. 

  • In Concert: Guns N’ Roses
    Show Date: November 5, 2011
    Venue: Gexa Energy Pavilion
    Dallas, Texas

    Attention citizens of Dallas and the surrounding cities: Don’t be alarmed. That sonic blast you heard from the vicinity of Fair Park last night is nothing to be concerned about (unless, of course, you are a Guns N’ Roses fan and you didn’t get tickets to the show). It was just those choir boys known as Guns N’ Roses putting on a bit of a show for the lucky 20,000 or so who managed to pick up tickets.

    I haven’t gone back to the Gexa Energy Pavilion this morning to view the carnage but I suspect that structural engineers are combing over every inch of the venue to make sure there is no damage to the facilities.

    If you’re not catching my drift, I’ll spell it out for you: Guns N’ Roses was in concert last night and, yes, it was incredibly loud – like rock and roll should be.

    Axl Rose and the boys should hit the stage an hour and a half in a fashionably late sort of way but, if you’ve followed the band at all, you know that it’s to be expected. But, when they hit the stage, wow!

    The show blasted off with video and DJ Ashbar’s power chord intro to Chinese Democracy which had the crowds on their feet. The band segued immediately into Welcome To The Jungle. A song or two later was the bone rattling Sorry accompanied by some disturbing but thought provoking video.

    Richard Fortus did his James Bond themed solo which set the stage (pun kinda/sorta intended) for GNR’s explosive version of Live and Let Die with the crowd enthusiastically singing along with the band. The crowd also later sang along with the band as they cranked out Sweet Child O’ Mine.

    Tommy Stinson did a punkish version of the Who’s My Generation that I have to think Pete Townshend would approve of. This set the stage – wait, I already used that line – This provided the perfect set up for Dizzy Reed (read the Boomerocity interview with Dizzy here) to perform the Who’s Baba O’Riley on the grand piano.

    The ever-lovable Bumblefoot’s guitar work during the show was awesome but, then again, what would you expect from the guy? He’s the consummate guitarist. DJ Ashbar? Great! I know! I know! He ain’t Slash. Get over it. Slash is gone and isn’t likely ever to come back to GNR. Ashbar brings his own magic to the band. He faithfully delivers the licks to the tunes while putting his own distinguishable mark to them. If you can’t get over Slash not being in the band, then don’t waste your time showing up for the show. Be warned: by doing so, you’ll miss out on some phenomenal guitar work.

    Having played all the fan favorites, Guns N’ Roses left the crowd exhausted but satisfied. You'll definitely want to catch GNR if they're playing anywhere near you.

  • Guns N’ Roses In Concert
    Performance Date: November 7, 2012
    Venue: Hard Rock Hotel & Casino, Las Vegas, Nevada

    I do believe that I may have inadvertently started a new fall tradition for myself: Guns N’ Roses excursions. Last year (late October) – I interviewed GNR keyboardist, Dizzy Reed and then shortly thereafter – November 5th to be exact – I was privileged to catch their Dallas stop of their tour.

    As luck would have it, exactly one year and two days later I found myself in Las Vegas with some time on my hands, wondering on earth I could do. Then it hit me: The choir boys known as “Guns N’ Roses” were on the back end of their residency at the Hard Rock Hotel & Casino. After a couple of inquiries were made, tickets were secured and a business associate and I were on our way to see Axl and the boys do their thay-yang (my weak attempt at doing my Axl Rose imitation).

    The band hit the stage right on time with their now-signature playing of the Chinese Democracy video before exploding on stage with Welcome to the Jungle and into their 35 song set (including encore) that included all the great hits plus some.

    The eight member band has never been tighter. While fans will always miss Slash, DJ Ashba is doing phenomenally well handling the guitar work . . . and I don’t use those words lightly. Ron “Bumblefoot” Thal is always pure joy to watch as is Richard Fortus. Talking about a triple threat! Tommy Stinson’s bass work and Frank Ferrer’s drumming is still providing the unbreakable, sonic foundation for the rest of the band to launch from. Dizzy Reed’s mastery of the keyboard was an absolute treat to hear as was the work of his wing man, Chris Pitman.

    Speaking of Dizzy, his featured solo was a remarkable treatment of Led Zeppelin’s No Quarter. Wow! I could’ve listened to that all night. Another pleasant surprise coming from the keys was Axl performing Pink Floyd’s Another Brick In The Wall and then sliding into the ever-beautiful November Rain. Oh, and another great surprise was the band’s cover of The Who’s The Seeker, as a tip of their leather hats to one of rock’s pioneers.

    I got to the venue too late to catch the opening act, 333, but from what I heard from a friend who was also at the show, I’m told that the band rocked the crowd to their core. My investigation into the band days after the show confirmed that this is a band to keep your eye on. ‘Dem boys know how to rock!

    If you hope to catch Guns N’ Roses during their residency at the Hard Rock Hotel & Casino, then I suggest that your get your bootay-yay in gear and make your reservations as the band’s final gig there is November 24th.

  • Posted January, 2013

     

    Photo by AlwaysAcoustic

    Guns N’ Roses.  The band name conjures up images of many of the stereotypes of bad boy rock and roll.  Some of those images might be deserved. I don’t know. I’ve never been around when any of the reported bad stuff supposedly happened.  I know that, a) I’ve seen the band twice in a one year period and they’re consummate performers and professionals; and, b) I’ve now interviewed two members of the band and they’ve both been incredible to chat with.

    My first interview was in November of last year with band keyboardist,Dizzy Reed, via an amazingly clear phone connection to his hotel room in Paraguay.  The second interview was recently – again by phone – with one of the band’s three guitarist, Ron “Bumblefoot” Thal.

    Okay. I’ll stop right here and, for you uninitiated and unwashed readers, I’ll answer the question that is bouncing around your mind: What is a “bumblefoot” and why is Mr. Thal called that?  Bumblefoot was the name of Ron Thal’s first album, The Adventures of Bumblefoot which he came up with while helping his then-girlfriend study for veterinary school.Click here for why she might have been studying that term. 

    Now, back to my chat with Mr. Thal.

    Where was I?  Oh, yeah!  After tracking down how to get in touch with Ron, he was gracious enough to grant me a phone interview.  Originally slated to take place at his home, snow storm Euclid had him snowbound in the southeast after Christmas.  Having recently completed a world-wide tour – as well as a residency at the Hard Rock in Las Vegas – with Guns N’ Roses, Thal was enjoying some down time with his wife and in-laws when he broke away to call me. He said, “This exactly why I wanted your number because I never know where the hell I’m gonna end up.”

    An unexpected – but pleasant – surprise came in the form of Bumblefoot explaining how he and his wife met.

    “I’m from Brooklyn and she’s from Queens. We met twenty-two years ago and been together ever since. It was actually a blind date. People tried to set us up for six months and we wanted no part of it. Then, finally, it was, like, ‘Alright, yeah, we’ll get together’ and we were just bent on hating each other just to prove everybody wrong. Then, she tried to get rid of me by asking me questions about science and parallels between matter and anti-matter and the asymmetry of the universe. I’m like, ‘Oh my gosh! She has a brain!’ and we started talking and, yeah, there you go!  Twenty-two years later we’re having breakfast in North Carolina.”

    When Ron learned that I grew up in Phoenix, his voice lit up even more. “Oh, man! I lovePhoenix! You know thatMusical Instrument Museum that they just opened up a few years ago? Man! It is incredible! You can spend the whole day there!  You put on a set of headphones and they have all these displays of every single type of instrument from every period in time.  It’ll have African tribal instruments and ones that they use for rituals and for certain ceremonies and ones that they use for all different things. It’s just incredible! They had one of John Lennon’s pianos there. They had all kinds of stuff there.  You could easily spend an whole day in there.” We continued to talk about different things about Arizona and Texas – almost like two old school mates catching up on news about the old homestead. 

    After we settled into our chat, I asked him what he was doing on his valuable time off besides talking to boneheaded interviewers like me.

    “I’ve been laying down a bunch of riffs and guitar solos for a bunch of different albums and songs for (Arizona artist)Christy Paige,Tony Harnell (of the Norwegian band, TNT). He’s an incredible singer and I’ve been a fan of his for almost thirty years now – for about as long as he’s been putting out music. Someone gave me a copy of his first album when I was fourteen and I was just blown away. Then twenty years ago we were going to put a band together when TNT was kind of on the rocks but it didn’t happen. Then twenty years later – it was last year, we met up at NAMM and started chatting. He was doing some New York acoustic shows and I went to see them. They were some of the best shows I’ve ever seen. We started working together doing acoustic stuff. We’re working on putting out an acoustic album. We’ll see what happens from there.”

    Since one doesn’t usually associate acoustic guitar work with Bumblefoot, I asked him if it was a challenge for him to work on that kind of music.

    “No, I like it. For me, diversity and stepping out of the usual and not getting locked into any kind of comfort zone – I prefer that. I like to keep it fresh. I’m definitely enjoying the acoustic stuff.”

    After such a monster storm-trooper of a GNR tour, I wondered if it was hard for Thal to come down from it or is he just SO ready to be home that he doesn’t know what to do first.

    “The hardest part of starting a tour or ending a tour is the transition from being home to being on the road. You get off tour. You don’t have a day sheet slipped under your door. You don’t know what to do with your time. You don’t know what to do with all this freedom to do anything because, when you’re on tour, you’re kind of limited as to what you can do. But, when you’re home, for me, I can do anything. Because of that, I just don’t know what to do with myself. There’s been time when, as soon as I got home – before even unpacking, I just started tearing up the ceiling and putting in recessed lighting for three days. This time, I immediately went right into the studio and started blasting out stuff. If find that that’s the best thing to do is just right back into some kind of work that you would normally be doing at home and that gets you right back into it where you don’t have time to get all weird about the transition.

    “That’s the toughest part. When you leave to go on tour, you feel like you pressed a giant pause button on your life and you have all the stuff waiting for you. Finally, it hits you when you’re on the plane, ‘Well, there’s nothing I can do so I might as well wipe my hands of it all and think about what I need to do here which is put on a good show. Then, when you’re on the plane ride back, it’s like you’ve taken your finger off of that pause button and it’s like, ‘Alright! I’ve got to get to the doctor! I’ve got to get new contact lenses! I’ve got to renew the box at the post office!’ The list comes into play of everything you need to do – all the little stuff. You start planning it out. ‘Alright, I’ve gotta do this, this, this, and this and tomorrow this, this, and this.’ And you slowly get back to normal life.”

    As for how Mrs. Thal handles him during those times, he said, “She’s been watching me do this for so long, she gets it. She comes on tour a lot, too, and she knows how weird it is to get off the road and come back home. She’s experienced the transition, as well. For me, I could be gone for three months and for her, she could come out for a couple of weeks or a couple of days and then go home and then do it again. She’ll pick and choose where she wants to go. Like, ‘Ah! I’ve never been to India!  Let’s go to India!’ And we work it out.

    “That’s the whole thing that really helps us is not separating the two lives where you have your touring life and your home life; when you can put the two together; where you can make that leap and combine the two lives into one; it actually winds up being better. It’s actually good like that with Guns. A lot of times we have family members joining on the tour and it really is like one big family now. It’s always like that. It’s one thing I’m happy about is that, in the Guns world, family is treated like everybody’s family.”

    When I comment that many people may find that description of life on the road with Guns N’ Roses as quite different from the image of trashing hotel rooms and such, Thal said, “There’s a lot of everything. There’s trashed hotel rooms, sometimes, but it’s usually for a good reason! Ha! Ha!  One time, they were testing the smoke alarms every morning starting at eight in the morning and sometimes going on until one in the afternoon. Picture three mornings of that when you’re working at night. Finally, by the third morning, one of our guys went out and found the guy in the hallway testing everything and pretty much told him that he was going to kill him if he makes one more sound. He was so mad that he just kicked around some things in his room.

    “There’s been times when – it’s usually just the sleep deprivation when you really need to sleep because you’re on the opposite schedule than the rest of the world. Guns shows start late and go on for three hours and by the time you get out of there and get back to bed, the sun is coming up and you don’t want, two hours later, the phone ringing saying, ‘This is room service. Do you want us to come in?’ And I’m like, ‘The “Do Not Disturb” sign, it applies to not just the door but to the phone. “Do Not Disturb” means do not disturb by any means. I’m trying to sleep!’ Then, two hours later, they call and say, ‘I was just calling to make sure you want us to not call.’ It’s that kind of stuff. Those are the things that have you ripping the phone out of the wall and sticking it in the toilet and then going back to bed. I think that half the times people destroy a hotel room, it’s not for fun, it’s because they’re trying to sleep and the hotel won’t let them! So, that happens. Yeah. Oh, and my wife was there when that happened so all the crazy room-trashing now happens with family!”

    Then next three GNR specific questions I asked Bumblefoot were the same three that I asked Dizzy Reed. I started off by saying that, from the outside looking in, people view GNR as a rolling thunderstorm of chaos, confusion and confrontation.  What does it look like to him from his vantage point?

    “A rolling thunderstorm of chaos, confrontation and . . . yeah.  They’ve got it exactly right. That’s exactly what it is”, Thal said in an obvious joking tone. “If people only knew how much, they wouldn’t believe it. They used to say that Guns N’ Roses was the most dangerous band in the world. If anything, it might be more dangerous. We just hide it better. I mean, the things that go on as far as the volatility and the fragility of making this beast run is unlike anything I’ve ever seen. It’s definitely a runaway train. Actually, it’s more like a runaway planet!  That’s what it is. Picture a planet that leaves its orbit and it’s just shooting through space, smashing anything in its path. I think it’s more like that. But, yes, as far as chaos and rage and all of that stuff, oh yeah, plenty of that.”

    What does Thal think is the most misrepresented, misunderstood or most unknown “thing” about GNR is?

    “That we are not wrestling characters that are good guys and bad guys when it comes to the past and the present versions or different members of the different chapters of the story of Guns N’ Roses. People are surprised to know that Izzy (Stradlin) came out and jammed on a couple of songs with us for some of these shows. And Duff (McKagan) did. Things like that. It’s not all this past versus present, one versus the other. It’s all part of the same story. Guns N’ Roses is like this big book filled with so many chapters that are so unique and a story within themselves but they’re all part of the same book, part of the same history. It’s all part of the same life span of the twenty-five year life of the band. It’s a continuing story.

    “People tend to look at it like, ‘That’s not Guns N’ Roses’. Well, in a sense, a butterfly isn’t a caterpillar but it’s the same life,

    Photo by Jarmo Luukkonen

    the same creature. It just goes through changes. It started off as one thing but slowly morphed into another.  That just happens – whether people die or quit, technology change, music styles change, or whatever happens.

    “It’s the same band but you have to look at it like one is the child, one is the adult, one is the gray haired wise dude. It’s the same life and the child isn’t the same person that he is when he is going to be fifty. But it’s the same life and the sum of the same experiences in the end.  People say, ‘Well, it’s not the same band.’ You’re right, it’s not the same band. Different people. Different sound. Different world. Different century. Different everything. But it’s part of the same story and if you want to not acknowledge any aspect of that story, you’re just missing out on a lot of it you might enjoy if you let yourself.

    “Every life has its peak, its part that someone is going to favor. That’s fine. Appreciate and enjoy the whole story. There’s a lot to it. It’s very interesting and I’ll even say that there’s been no band in the history of rock that has a story as crazy as Guns N’ Roses is. So, enjoy it! Why fight it? Enjoy it!”

    On a slightly different note, I asked Thal what he thought is the most misrepresented, misunderstood or most unknown “thing” about Axl?

    “I think that, a lot of times, if he’s late on stage or if he’s not going to show up to the Rock and Roll Hall of Fame or if an album is taking too long to come out – that kind of stuff – I think a lot of times people think it’s because he doesn’t care about his fans. They just take it that way. But the truth is I think, from what I see, he cares somuch that it almost gets in the way. I would say he cares too much. That’s what people don’t realize about him. They take it the wrong way. They think that if he’s stalling on something that it’s that he doesn’t care but it’s actually because he cares so much that he’s so concerned about doing the wrong thing. He’s trying to feel out what the right thing is to do. That’s one thing I noticed about him: that he cares maybe too much. That’s my perspective if I were to put it into my own words.”

    I couldn’t resist asking Ron if Guns N’ Roses are going to be touring again in 2013.

    “Yes. In March we have a bunch of shows in Australia. I’m hoping that we can do more after that. It’s looking like it will be three or four weeks but I’m hoping that we can expand on it. It would be great if we could work out something in New Zealand or the Philippines or Malaysia, Thailand, China – anywhere we can do.”

    Bringing the conversation back around to what’s on his plate right now, Mr. Thal said, “Most of the time, I’m looking at fonts. I’m a putting out my own line of hot sauces that’s going to be out next month. It’s something I’ve been wanting to do for years and I’m finally making it happen. The hardest part is designing the labels for the bottles, choosing between thousands of fonts for the right one to use for the name of this or the name of that. So, I’ve been spending most of my time designing the bottles for the hot sauces. In either Dallas or Austin – and right around NAMM – there’s a little chili or hot sauce festival and I’m seeing if I can find a way to jump out of NAMM just for the day to Texas for that.

    “I’m very excited about the hot sauces. You’re going to like these. These really get up there. One is called “BumbleF**KED”. That one, it has ginger and lime and six million Scoville units of heat and it has ginseng and caffeine so it’s almost an energy shot mixed with a super ridiculous, pain-junky level hot heat. Then, I have one called “Bumblicious” which is made with a cherry bourbon and it’s mild and it’s just delicious. I just can’t wait to share these with everybody.”

    Bumblefoot has worked on a ton of different kinds of projects so I asked him what kinds of projects that he hasn’t worked on yet that is on his bucket list to do.

    “I find all these things just happen unexpectedly and unplanned. My paths cross with people that I didn’t think to meet and things like that just happen. I don’t know, it’s almost like I don’t really plan anything anymore. I just go the way the wind blows and just roll with whatever happens. Things tend to always happen. But let me think.” Then, once again with that joking lilt to his voice, he added, “Hmmm, gee, it sure would be nice to put out some music with Axl on some Guns music. That would be kinda nice.”  Then, getting back into a more serious tone, said, “We’ve spoken a lot about it. It’s just a question of – I wouldn’t even say the planets aligning; That’s a little extreme as far as a metaphor – but I think we just need to have nothing else going on to where we can just focus on making new music and putting it out. There’s such strong people in the band. Dizzy is a great singer and songwriter. DJ – a great songwriter. Pitman is a great singer and songwriter. Frank is a great drummer. Tommy, he’s a great singer and songwriter. Richard, he’s a great player, songwriter. We have all the parts of the machine there. All we have to do is assemble that machine and hit the on switch.

    “We’ve been doing a lot of touring. It’s great and it’s made us tight and it’s made us solid. It’s made us to the point where we can jam and just sort of read each other’s minds and know where we’re going to go without having to look at each other. Now, I would love to put out music. It doesn’t even have to be an album. Let’s just put out songs.  Put a song then hit the road and play that song. Then put out another song and hit the road and play that song, too. If we did that for each leg of the touring over the last few years, we would’ve had an album finished by now song by song.

    “That’s how I look at it: that, these days, putting out an album is too big of a bite to bite off. It’s not necessary. You can keep a constant simmer going by putting out a song and then a song and then a song, putting out music throughout the year rather than waiting two or three years and putting out fourteen songs at once. Albums are nice as far as having a piece of merch that you can hold in your hand but they’re no longer the source of the music.

    “Now, with the technology, you don’t just put out the song. What I did, I put out the song but I put it out in options of high res format, if you want .wav, if you want 320 MP3, FLAC, whatever you want. Here’s the instrumental version if you don’t want vocal. Here’s the recording stems if you want to do your own mix. I’ve had people do it where they want to keep the drums and bass and play their own guitar and vocals over it and stuck it on YouTube. I’ve done transcriptions with backing tracks. You can take each song and do more with it if you just focus on the song, I find.

    “For me, it’s not so much about the money because it all, in the end, it all kind of ends up the same way, anyway. I don’t even worry about the money. The money is secondary to getting people what they want. That’s really the primary focus of why you do what you do and you never want to lose sight of that. If you’re going to make a living off it, that’s because people are helping you because you’ve giving them something they enjoy. I’m doing enough things in a variety of places where I can put food on the table. I’m not trying to nickel and dime the people that care about what I do. I’m just putting it out there whenever I can put it out there and put it out in a way that people like it. There are people that still want CDs because they want that thing in their hand. They should have that, as well. At this point, I think the CD has become like a piece of merch and that’s even why people like it is because they want it as something that they can hold in their hand. It’s not even for the music because they can get the music a million different ways now.”

    I’m always curious who commands an artist’s attention so I Ron who is on his radar these days.

    “My favorite new band that I’ve heard – and it’s been a long time since I’ve heard a band that I just completely love – is a band out of New Jersey and I swear to you that I’m not biased but the guitar player used to be a student of mine and he’s a friend of mine. He grew up into this incredible genius of a musician. He has a band calledThank You Scientist. It’s drums, bass, guitar, vocals, two horn players and a violin. Just picture Dream Theater mixed with Incubus, mixed with maybe Dave Matthews with a melodic and having a violin in there . . . with Frank Zappa. It appeals to you intellectually. It appeals to you on this primal, melodic, emotional level. It’s fantastic stuff and the guys are impeccable live. They are absolutely my new favorite band.”

    At one point in our chat, Thal shared his thoughts about what up and coming musicians should be doing as they’re building their careers.

    “Musicians need to look at themselves as small business owners – that they’re the president of a small company. They need to do things like, when they’re young, they need to take out IRAs and retirement accounts and prepare for when they’re old because nobody’s going to take care of them. Nobody’s going to do this for them. They need to do this for themselves. They need to plan for their entire life. That’s one thing I think musicians need to do so when they’re young, they’re twenty, definitely take out some Roth IRAs or something that’s not for the purposes of sheltering your current taxes and changing your income bracket but something that is going to build a nice nest egg for you 40 – 50 years later.”

    I knew that Ron was incredibly active in helping various charities so I asked him to tell me about some of what he’s been working on in that area of his life.

    “I get involved with a lot of different groups. When I was in Dubai, I visited the autism center there and they’re in need of a bigger building. The number of children every year that are affected by autism is growing so quickly and exponentially and is reaching the point that, now, one out of eighty kids have it. They’re thinking that by next year it will be one out of fifty-five. It’s not just children – it’s not just about teaching the kids how to be more functional – it’s about teaching families how to understand and help the kids. Everybody needs to learn and there are people who are experts and can teach that. There’s a school in Dubai where they’re doing great work there and having great success. I visited the school with a local band out there that I am friends with – a band calledPoint of View – we did a couple of acoustic songs for the kids and spoke with them there. I’d love to do a fundraiser over there and help them get a bigger building to be able to accommodate the amount of families that really need to be there. That’s something I want to try and do.

     

    “Right here in our home, as well, there is a good friend of mine, Ralph Rosa, guitar player and he was diagnosed fifteen years ago with multiple sclerosis. He decided that he wanted to get involved in funding research. He went through all of the paperwork, the bureaucracy, and managed to start a non-profit organization where all of his family and friends volunteered our time. We did concerts. We did little dinner comedy shows and all kinds of events where we raised money for research and the money went – all of it – right to the labs. There’s a lot of things out there. The world needs help and, you know, you can’t save the world but if each of us maybe takes a brief moment to stop and help a little bit – what we can, however we can . . . it doesn’t hurt to help!”

    Concluding his thoughts on this, Thal mentioned how you can help him help others.

    “One thing that I’m doing is any autographed merch – whether it’s a signed photo or a signed CD that someone gets from my merch store – I donate five dollars of it towards charities.”

     

     

    In conducting my research on Bumblefoot, his biography on his website where he doesn’t mince any words about being the odd guy out while he was growing up and used that to fuel his creativity. No doubt that has contributed to his study of music and made him the kind of musician that he’s become. I asked him what kind of advice and encouragement he would give if he saw a pre-teen or teenaged Ron right now.

    “I would say don’t overthink because thinking too much is the enemy. We tend to start creating bloated scenarios that are based on our own fears and you can think yourself right out of something good in life. Don’t overthink.

    “Don’t care too much. It’s our natural tendency to care as much as we can but there is a limit. It’s like overeating – don’t over care. Care just enough to be positive and be productive and to be helpful but not to the point to where you feel that you’re crucifying yourself.

    “Keep your body healthy. No matter how much time you’re spending sitting down with your guitar, take a break and run around the room and keep your body healthy. That will keep your mind healthy. That will keep your world good. A healthy body is so important. You don’t realize it until it’s not there and, then, nothing else matters. So definitely stay healthy physically.

    “Stay in school!  No matter how much you think you’re smarter than it, you’re not! Staying in school has nothing to do with education, it has to do with discipline. Stay in just so the discipline of doing something you don’t want to do and finding the good in it that you can benefit from. So definitely see it through no matter how much you don’t like it and uncomfortable you feel there and how out of place and how wrong it seems to be there. Whatever it is and whatever you’re telling yourself, stop telling yourself that crap and see it through.

    “I give myself the same thing that I tell everyone – three major things in getting ahead in life: Don’t be late!  Be on time and being on time means being early; getting there fifteen minutes early, waiting five minutes and calling the person saying I’m ten minutes away and then walking five minutes later. Be on time which means be early and be ready.

    “Number two: Be over-prepared. For example: say you’re doing a session of some kind. You’re supposed to lay a guitar part. The bassist doesn’t show up. Well, guess what? You learned the bass part, too, you tell them, ‘Hey, I can lay down that bass part if you need. I learned it just to be safe. You’re going to be the most valued player in the room and they’re going to greatly appreciate that.

    “The other thing is, be cool, be mellow. Going back to that same situation, everyone is freaking out. They don’t know what to do and panic is contagious. If you are this mellow, rock voice of reason person that doesn’t contribute to all of that tension and go, ‘It’s cool, man, I’ll take care of that. It’s all good,’ they’re going to value you so much. They’re always going to want you in the room with them and they’re going to want you back and want you in their lives.”

    Summarizing like the excellent teacher that he is, Ron closed by saying, “So, those three things: Be on time, be prepared and be cool.”

    Guitars. Do you mind if I ask how many you own? In your mind, is there a “holy grail” of guitars that you either own or would like to own?

    “I’m not sure. It’s not as many as I should own. It’s not that many. If there’s a guitar I like, that’ll be my guitar for, like, thirteen years. I’ll play it straight. I used to take my guitars and modify them and keep on playing them.  I think, maybe at the most twenty and a majority of those are probably on the road in a guitar vault waiting to be shipped to Australia in March.  I have the Vigier double neck and a backup of that.  I have three single necks from them. I have my ’89 Les Paul which is a reissue of the ’59.  I have my Swiss cheese guitar. I have a replica that Vigier made of my Swiss cheese guitar. I have all of the other weird guitars. I have my flying foot guitar.  It’s probably twenty guitars or under. I still have pretty much every guitar that I’ve had since I was a kid. I don’t sell guitars or get rid of them. I just get them because I like them and want to keep them and want to have them.

    “There’s only one guitar that I’m thinking of getting rid of which is one of my very first fretless guitars – a single neck fretless and it’s one of the first fretless’ that Vigier made and it’s the one I use for all of my recordings and on the first tours with Guns N’ Roses. What I did is on the last tour I had Axl and the band sign it, Izzy signed it and I want to auction it off at some point for Hurricane Relief from Sandy.”

    As for what he considers to be the holy grail of guitars, Bumblefoot said, “I think that the flying foot guitar – which probably only a fan of Monty Python could appreciate – and the double-neck fretted fretless. That’s all I really need.”

    When you’ve stepped off the tour bus of life and onto the stage of that great gig in the sky, how do you want to be remembered and what do you hope your legacy is?

    “I hope that after all is said & done, that I've made a positive impact on people's lives.  Whether it's from the music itself or through actions I'd taken as a musician or from exchanges on a personal level.  I hope to have earned people's respect musically.  That's all I want, is to hopefully be a musician that people respect and are inspired by.  That'd be just fine.”

    Normally, I would end an interview piece with the quote to that question. However, I have to add that, at the end of our call, the battery on the phone I was using died suddenly and threw the phone line into a lengthy, inexplicable reboot process.  Ron tried repeatedly to call me back in order to make sure that I got everything I needed for the interview.  How cool is that?  It shows that not only is Ron “Bumblefoot” Thal is an immensely talented and prolific guitarist, a highly intelligent conversationalist, but a class act who truly cares about others. 

  • April, 2015

     

         

    I’ve been fortunate to have the privilege of having interviewed lots of artists from lots of different genres – from Americana to Alternative and everything in between. After I interviewed Ron “Bumblefoot” Thal from Guns N’ Roses a couple of years ago, I had come to the conclusion afterwards that he had to be one of the nicest and most genuine artists I’ve ever met from any genre.

    I can honestly say that, after this interview, my opinion of the man has grown exponentially. Kind, polite, informative and considerate, one might think that he has a Jekyll and Hyde personality when one sees the mad guitarist persona during a GNR show. 

    Not so.

    What you see on stage is a man who is intensely driven and passionate about his craft; a man who throws two hundred percent of himself into anything he does.

    When I called Ron recently at his home in the Northeast, it was to talk about his new CD, “Little Brother Is Watching.” Before we drilled into that subject, though, I asked him how his venture into the hot sauce business was coming along and what the latest was with his charity work.

    “Going great! It’s spreading to all parts of the world, and I have distro from Dubai to all different places. It’s a lot of fun. It’s a whole other little subculture- the hot sauce subculture. It’s funny how similar it is to music, just a different passion. You find that when people are passionate about something, it doesn’t matter what it is. It’s people that are passionate about something. At all these food festivals, you see familiar faces, and we’re just enjoying what we enjoy.”

    When I mentioned that I spotted a couple items from his hot sauce product line at a local hot sauce specialty store here in East Tennessee, he said, “I’m glad to know they were there. You know, the distributors have to want to buy it from the manufacturer. The retailers have to want to buy it from the distributor and put it on the shelves. A lot of people have to really want it before people come in and see it.”

    As for the latest in his charity work, Ron shared, “I just came back from Pattaya, Thailand. I headlined the big bike festival- it’s like Sturgis. It was three days of doing gigs, and the guys that run the whole event have been doing it for eighteen years. They have a children’s charity, Jesters Care for Kids, that provides care for disabled kids, orphans, any kid in need. They help with their education, getting food in their stomachs, and clothes on their backs. 

    “We did all these events there, which raised $163,000. In Thailand, the dollar is worth a good chunk of change, so this is really going to make a huge difference in a lot of lives. I want to come back next year, and see if I can bring some more international artists into it. I was the first international artist they ever had, and it doubled the attendance of the event. I want to see if I can help them step it up even more and keep trying to make a difference.

    “After that, I came home, released the album, and ran out for the UK. I just got back from that two days ago. Out there, I worked with an organization called 7Cs based out of the town of Witney in Oxford. It supports kids in music, and it gives them a creative world to work in.”

    Segueing to the subject of the new CD, I asked if I was correct that this was his tenth solo project and to tell me a little bit about the album. 

    “Yea, it is, not including all the collaborations and producing and everything else. With all of that, I’ve done probably a hundred albums. In 2004, I was working on twelve albums at once. That was a tough one, but I tend to do that. I work until I practically collapse, then I pull back just a hair. It’s not healthy, and I shouldn’t do that. But honestly, I love what I do so much to the point that if it’s going to kill me, what better way to go?”

    I asked how has this album been different for him from the others, to which he said, “For this one, I forced myself to write while I was touring. For me, I always had to

         

    choose between touring and writing, because they’re just two different mindsets. You exist for two different reasons, and I always found it hard to flip the switch. When you’re on tour, you are there for everybody else. Your time belongs to the fans, and I would always try to give every minute I could. That’s not something you can just quickly shut off. I couldn’t just shut it off, go into the hotel room, and start writing a song. I always need a minute, sort of, to decompress and reboot. I’d get that going and build momentum. I would never get a chance to do that on tour. I’d been doing so much touring over the last year that I’ve just not been writing.

    “Finally, I just forced myself. It felt like driving with your foot slammed on the gas and your foot slammed on the brake at the same time. But it needed to be done, and I think good stuff came out of it. I was really able to tap into everything I wanted to say and do. Compared to other albums, it really seemed that there was a more direct line - the connection, the root, the little line from your insides to your outsides - was very uninterrupted. Exactly what I wanted to say and how I wanted to say it freely flowed. It worked out well.

    “I’m happy with the album. I’m happy with the way I sang what I wanted to sing, the way I wanted to tell whatever story I wanted to tell. I had more room, and I left myself more space for melody and production. I just let the song come through, so it didn’t get overshadowed with a fancy guitar riff. With the technical guitar stuff, it’s almost like a very strong spice. A little goes a long way. Even if you don’t do it that often, it just jumps out. It can overshadow all the other flavors. I pulled back a little bit. Those moments are there, but I found a better balance between the melody and any technical stuff. I think it helps the song come through more. “

    I mentioned that I thought this project seems to be a very complex, intricate album with an almost rock opera feel to it. Was that his intent?

    “I think it does sound like that. You can hear plenty of influences that are easy to point out from Queen to George Harrison to David Bowie. You’ll always hear classic rock and a little bit of old punk, a little bit of old metal. That’s just what’s in my blood, and it ain’t coming out. 

    “It’s not that I had the intent of, ‘I want the album to sound like this’. I just wrote the songs and thought, ‘I’m going to sing them the way I feel comfortable singing, and play the way I feel comfortable playing’. Most of the melodies and most of the ideas were from the one take scratch track that I made just to demo the songs when we were laying the drum tracks. Afterwards, I said, ‘You know what? These are very honest ideas that aren’t over thought. I’m just going to go with a lot of these and not change something that feels right.’

    “A lot of the melodies that were going on, like at the end of the song ‘Argentina’ where they are sort of dancing around the vocal lines, was all spontaneous stuff. I think it was the right thing for the song. I didn’t over think it or preplan very much. I wrote the song, recorded it, and just let it come out the way it was going to come out.”

    Ron’s answer to my question of if there was a song from the album that he would point to as the calling card for the entire album, he offered, “I would go with ‘Don’t Know Who To Pray To Anymore’. It shows the guitar playing, song writing, and singing. I don’t know if it’s the definitive song that someone could listen to and get an idea of what everything sounds like on the album. But, to me, that’s the one that something about it resonates. It’s about something we’ve all felt when we’ve all felt challenged and tested to the point that you really question, ‘what is good? Is it a real thing?’ When you’re left angry, and you know you need to get past that anger, but you’re just not over it yet. You tell yourself, ‘I know that things are okay, but I’m just not healed yet. I’ll probably get there someday, but I won’t let myself. I feel like I need to punish God by denying the faith I had, because I feel betrayed myself.’ I think we’ve all been in that place at one point.”

    In sharing what the response to “Little Brother Is Watching,” Thal said, “So far, I think the people who would like it are liking it. The haters are gonna hate; the lovers are gonna love. I hope that people like it. All you can do is just put it out there, and the world will decide.”

    I knew that fans would want to know if Bumblefoot would be touring in support of the album, so I asked him.

    “I’m not doing a tour yet. I want to let people know it exists and let them get to know the music a little more. Put out some videos, do some things to just let people get familiar with the music. Then I’ll book a tour and see where people want me (and where they don’t). I want to book the right kind of tour. I don’t want to rush into it and go out there without a plan, playing everywhere and torturing my band. ‘Alright, we’re doing a 100 dates where people don’t even know who we are!’ I want to have a good plan so that the people who would want to see me get to see me.”

    I’d heard some rumblings about another project that Ron was reportedly working on called, “The Art of Anarchy,” so I asked him about it. 

    “That’s an interesting one. We started in 2011 with Jon and Vince, the guitarist and drummer, who are twin brothers. They started the whole idea of it. They were musicians in bands I’d been producing for the last eighteen years, and they wanted to make a very special album. They wanted to make a super group. Really, they wanted to start a music company, and the first thing they were going to put out is this super group album. They came into the studio and laid their parts. I laid my parts. [John] Moyer came in and spent three days hanging out playing his stuff. Then Scott joined. He recorded at his own place; at his own pace, just did his thing. He came up with some very interesting stuff… things I never would have thought of for these songs. 

    “That’s what’s great about it. When you’re collaborating and creating something with different people, they’re all going to bring something you never would have thought of. It makes it very special. He added fantastic vocal melodies to a lot of the songs. Moyer had great bass lines. Everything he does is great. It’s an interesting rock record. Century Media is releasing it June 2nd in the US, June 8th non-US. I hope people like it. I think people who have not heard Scott doing heavier stuff for a while will enjoy hearing him in this. A lot of the music sounds like old Metallica or Disturbed with a lot of dynamic changes musically. It goes from heavy, double bass metal riffs to nylon string acoustic solos.”

    Just as with “Little Brother,” I asked Thal if there are any touring plans for that album or will he approach it the same way he is for his solo album.

         

    “That’s pretty much the plan. Just letting people know the music exists, and let them share the music we made together. If there is a demand for touring, we’re going to cross that bridge and figure out what we need to do.”

    Bumblefoot also revealed what is on his radar for the next year.

    “I have a whole bunch of things coming up and a lot of blanks getting filled in between. Besides the eventual Little Brother Is Watching tour, I’m going to be doing a two-month guitar festival tour throughout France. All the big Le Zenith arenas, a couple thousand people. That’s going to be a nice one. It’s called ‘Autour De La Guitare.’ That’s going to be October/November.”

     (Note: visit http://www.autourdelaguitare.com/ as well as http://www.facebook.com/adlg2015 for more information)

    “I’m going to continue working with all the U.S. embassies on cultural events. I’m going to do a couple days at SXSW. At the end of the month, I have Rock ‘N’ Roll Fantasy Camp in Vegas. We’ll be doing it with Glenn Hughes, Michael Schenker, Bill Ward, Rudy Sarzo, and Brian Tichy. That’s going to be a fun one. Then I’m going to be acting in a horror movie called Clean Cut which we’ll be shooting in early April.

    “I’ve got to finish up the video of ‘Little Brother Is Watching’ and start thinking about the next video. Then I head out to Asia to do some stuff. It’s looking like, tentatively, we’re doing Malaysia, Singapore, Philippines, Indonesia, and Brunei. I have to run back in time to do a USO benefit in New York on May 1st. I think that’s it- at least, all that my brain can remember. Oh, and all the producing. We shot two great videos for the Art of Anarchy stuff, so we’ll roll those out with singles and then the album. 

    “Right now, I’m finishing up two more songs with DMC and Generation Kill. They’re all going to a metal show today to film, but I have to stay behind to take care of mixes and get everything on schedule. We’ll get the first song on iTunes by Saturday, hopefully. Darryl McDaniels from Run-D.M.C. is on vocals with the band Generation Kill which is great stuff. You’ve got Rob Moschetti from Pro-Pain and Rob Dukes from Exodus, a real cool metal band. They have this rap/metal collaboration that they’re doing. I’m producing, mixing, and adding some guitar to it. I’m sort of like the sixth member. We have one song called ‘Lot Lizard’ that we’re going to be putting out on Saturday to coincide with D.M.C. airing ‘That Metal Show’ episode. We’re working on another song called ‘Fired Up’ which will be on DMC’s solo record. It’s going to a very musical year.”

    With all that’s going on in Bumblefoot’s world, there’s a very good chance that you’ll be able to see him in person somewhere on this beautiful planet of ours. To make sure that you have his latest news and itinerary or to purchase merchandise like “Little Brother Is Watching” or some of Ron’s scorching hot sauce, visit www.bumblefoot.com