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  • Posted June, 2009

    edgarwinter4Edgar Winter.  When the name is mentioned in the presence of Baby Boomers, it conjures up two iconic songs of the Seventies:  Frankentstein and Free Ride.  For others who enjoy the deeper, lesser known aspects of music, the name, Edgar Winter, brings to mind a Texas-born musical prodigy.

    Yes, prodigy.  For, not only has Winter's musical career spanned the genre's of rock, pop, blues and pop, he has mastered at the saxophone and a wide range of keyboard and percussion instruments.  To watch Edgar in concert provides the spectator with the rare but entertaining treat of viewing his virtuosity on these instruments.

    It was after witnessing just such a display of musical genius that I had the privilege of sitting down with Edgar Winter.  He had just retired to his hotel room after a crowd-pleasing concert at the Wildflower! Arts and Music Festival in Richardson, Texas.  Consequently, Edgar was a tired but very gracious host, not acting the least bit annoyed at having his day prolonged by yet another interview.  For this, Boomerocity is eternally grateful.

    After being escorted into Mr. Winter's hotel room by his tour manager and long time friend, Dave Lopez, we sat down for our conversation.  I complimented him on the tremendous show he just performed and about the diverse group of people that made up the audience.

    He's animated with his reply, "Yeah, I love those multi-generational shows.  I don't think there is any particular demographic, especially with the outdoor shows.  The hard core Johnny (as in "Winter", his equally iconic, blues guitarist brother)/Edgar/Rick (Derringer) fans are . . . one type of people but I think because I've done so many different kinds of music over my career.  "Entrance" was more of a blend of jazz, classical and rock so, our = my audience can be quite different.

    In chatting about the gig that he just completed, I asked if the show was his first time playing this particular venue.  The pride of being a Texan is readily apparent.  "As far as I can remember, yes, this is the first.  And, of course, ANY TIME I'm playing in Texas, that's my old stomping grounds!  I love coming back to Texas and I don't do that many shows here but we played in Houston last night which is even closer - 90 miles from Beaumont.  It was a great show.  The rain threatened but, uh, GREAT Frankenstein music with some thunder and lightning going on.  Whenever there's threatening weather, "Yeah!  ‘Frankenstein' is going to be PERFECT!"

    As a forty year rock and roll veteran, Winter has played venues all over the world.  I asked him which venues were his favorite places to play.  Listening to his answers was akin to what it would be like to hear Patton name his favorite fields of battle.

    Oh, I'll tell you, uh, I guess, just looking back over my career, there are certain ones that stand out.  We're all based in L.A. so I really like the Greek Theater there, in L.A.  It's beautiful.  It's sort of indoor/outdoor and the sunsets (are) really magical.

    And, as far as most memorable, I guess, Woodstock (laughs).  That was '69.  I played that with my brother, Johnny.  The Apollo Theater was one of my favorites.  And, I love Royal Albert Hall.  We did a U.K. tour about three or four years ago with Alvin Lee of Ten Years After.  The last show of the tour was Royal Albert Hall and we shot a video of it.  We've been trying to get it released and it looks like it's FINALLY going to come out.  I haven't even seen it so I have no idea what it looks like.

    Edgar goes on to explain the delay in it's release: "I think the guy that shot it had - he had a deal, I think with Sony, that probably was a part - you know, this particular thing was part of a group of things and I think that faltered.  Then I think he tried to replace it and it just kind of gone on and on.  He's kind of got it - he does, he has a big bulk of stuff.  Ours was just one of many things that just, lost in the shuffle!  But it is going to come out so that's good."

    Getting back to the venue discussion, Winter adds, "Oh, and Carnegie Hall!  Those are the ones that I - oh, I loved the Fillmore East.  That was amazing.  But, as far as places I like to play now, you know, the Greek is really one of my favorites."

    With so many accomplishments on his resume, I asked Edgar what he hasn't done that he would like to, musically.  "What haven't I done?  Well, I've got a Broadway musical comedy version of "Frankenstein" that I'm working on.  That's something that I haven't done yet.  I did a jazz CD which I've always wanted to do.  I have classical music that I will probably get around to recording at some point.  And . . . I love standards.  I'll probably do a standards album at some point.  Everybody's done them but, nevertheless, it's something that is a part of jazz - part of my jazz upbringing - unique arrangements of standards that have beautiful chords and are fun to play.  It's just something I've always wanted to do.

    I bring the conversation around to Winter's latest CD, Rebel Road, by telling him what a great disc it is.  "Oh, thank you!  Yeah, I was really happy with the way that came out.

    I add, "I have to tell you, though, I love the rockers, of course, but I was really touched by what you wrote about ‘The Closer I Get'.  But for you guys to be married this long and (with) you in this business, that's got to be one of the ‘Hall of Famer's', right?"

    Smiling as one who wishes that he was home with his wife, Edgar responds, "Well, yeah.  I'm equally, if not more proud of that than any of my accomplishments in music.  And it means so much to me.  I mean, music is great but if you don't have one to share your life with, what's the point?  And, really, music is spiritual.  It's a spiritual thing to me.  Well, life in general is a spiritual undertaking.  So many people - it's not very popular to be religious these days.  People always say, ‘Well, I'm not really religious but I am very spiritual.'  You never know - what does that mean, ‘that I believe in some thing'?

    Continuing on, he reflects, "I was brought up that way but I feel that religion is a personal thing.  And organized religions are sometimes problematical.  And that's a different a thing.  But music for me, that was the thing that helped illumine that spiritual path - to me.

    "When I played Woodstock, it really changed my life because, up to that point, I had been a serious musician as a kid.  It was my own private escape world.  I just loved music.  I loved the beauty of harmony and rhythm and just loved it in and of itself rather than a means to an end."

    In bringing back the discussion to "Rebel Road, I comment, "There are two great country cuts on your latest CD.  How come there's not a crossover there.  Do you not want to go ‘country'?"

    The Texan rises up in him again.  "I'm from Texas and I grew up playing country music.  Being around it and  . . . it's just sort of odd that it's one of the influences that's never really come out in my music.

    "I had written some lyrics to a song that I thought was a blues song, "Horns of a Dilemma".  And the guys that I was writing with, Curt and James, took a look at these lyrics and, "Oh, that's a great Country song!" "What?  I thought it was a Blues song!" "No, man!  It's a great Country rocker!"  They came up with a treatment of it.  I thought about it and said, "You know?  You could be right.  It could be that."  So, uh, I've really thought about doing a Country album until, until we did those two songs.  Now that's another thing I might do.

    "It's like "Power of Positive Drinkin'".  It's clever like some kind of play on words from a familiar phrase.  A lot of them, they're kinda geared in that way.  I've always enjoyed those.  Those are good examples of it.  "Horns of a Dilemma".  Familiar phrase.

    I mention the fact that his friend and country star, Clint Black, is on the two country tunes.

    "Yeah . . . Clint, you know, it was just so great to have him on both of those songs.  All the guests! Slash did a great job on "Rebel Road" and Johnny was great on "Rockin' the Blues".  When I listen to THAT song and close my eyes, it takes me back to when we were kids.

    "You know, you always, in the process of making an album, there's those magical moments that happen.  "The Closer I Get" is that way for me.  And the one I wrote for Ringo, "Peace and Love", is another one.  That's all of what you always hope for in the process of making music is that you're gonna really, like, it's - I think that's why they use to call them "albums" because it's like - sort of like a musical snapshot that captures a moment in time when something really happened."

    I mention to him that "one thing that really stood out to me about your album is how positive it is.  The over-arching theme of Rebel Road is by-the-numbers great rock and roll and some blues.  But your message in there is a positive, refreshing feel."

    "Yeah, most of my songs are optimistic.  I have a dark one occasionally.  But, uh, yeah, rock is about having a good time.  And . . . I think the thing about blues - even though . . . a lot of the content is sad, it's still like transforming suffering into joy.  It's still happy music.  It's a hard thing to explain.  But you listen to it and you say, ‘Oh, I thought things were bad for me!  Man!  I'm pretty well off, actually.'

    "But, yeah, thanks!  Writing, it's one of those stream-of-consciousness things - and I suppose it just reflects the fact that I am really happy now.  I love the music I'm making.  I love my band.  I love my wife, Monique.  (We've been) married for 30 years.  And . . . it means the world to me to be able to do what I most love and see people out there having a great time.  What could be better than that?

    "I would be playing regardless if whether paid for it because I love to play.  I don't even think of it as a career.  To me, it's like a hobby.  Just something that I love to do.  Well, not a hobby.  It's a consuming interest.  It's really my life.  A lot of people think of it as a business.  I really never have.

    "What's most important to me is just that I'm making honest music.  Whenever anybody asks me about advice, I always say that the thing is just to follow your heart and do what you really believe in and what really matters to you.  Don't try to think about what's going to sell or try to second guess what audiences - what people are going to want to hear.  You do the music that's in your heart - that you really love and care about and I think that will communicate more than anything else to an audience and to the people that hear it."

    I turn the conversation to his participation in the "Heroes of Woodstock" tour of shows.

    Smiling, he says, "You know, a lot of people are not aware that I played Woodstock because our footage was not in the movie or any of the CD's or any of that stuff.  We played the whole set.  He, at that point, Johnny did the part of his show with his blues trio.  No one even knew that I existed back then.  ‘Now, I'm going to bring on my little brother, Edgar!'  And I came on, (mimicking the audience) ‘Oh, wow!  There's two of them!'

    And then, he would do, "Rollin' and Tumblin'", "Mean Town Blues", I forget all exactly - probably "Hustle Down in Texas".  Just a lot of his standard blues songs.  I did "Tobacco Road" with the band.  We did a version of what became "Frankenstein", the instrumental, which we use to call "The Double Drum Song" - we did that.  The Ray Charles song called, "Tell The Truth".  I don't remember if we played it at Woodstock but that was one of the songs that we did.

    "I know that there are 10 or 12 of those ‘Heroes of Woodstock' things.  We're not sure how many of those we're going to be doing.  I think that there's only one of them that's for sure."

    Our conversation involved other work, the record industry and life in general.  Certainly to much to include in this story.  However, I left the interview sensing Edgar Winter's profound love for his wife, his brother, those near to him, and people in general.  He exudes a sincerity that is commonly found in the rarified air of celebrity.  As they say in the south about people like him, "he's good people."

    This article written by Randy Patterson.  All rights reserved and cannot not be used without written permission, which can be obtained by writing This email address is being protected from spambots. You need JavaScript enabled to view it. .

  • knightedbythebluescoverKnighted By The Blues
    Artist: Rick Derringer
    Label: Blues Bureau International
    Reviewed: May, 2009

    “Knighted By The Blues” clocks in as Rick Derringer’s 40th album/CD in his long and legendary career. This doesn’t even count the countless discs that he’s played and/or produced with many other artists or, for that matter, the myriad of soundtracks that he’s either worked on or his work was used.

    To say that “Knighted” is a “must own” by Derringer fans would be an understatement. His signature guitar work is as great as ever and his voice doesn’t seem to have changed one bit since “Rock and Roll Hoochie Koo” was first released. How many of us can say that?

    This album is a huge treat! It’s hard for me to pick just one favorite tune so I’ll narrow it to two . . . but it’s a hard “two” to pick. Okay, I’m going to make it three and in no particular order, alright? Those three songs are the title cut, the incredible “Sometimes” and “If 6 Was 9”, which is a tune written and recorded by Jimi Hendrix on his “Axis: Bold As Love” LP.

    The album’s namesake song, “Knighted By The Blues”, is a great, slow blues tune that is sure to chill out its listener on the first play. Rick’s vocals are smooth as is his fret work. While listening to this cut repeatedly, it began to make me wonder if the late, great Stevie Ray Vaughn wasn’t influenced by Derringers interpretation of the blues. I suppose that we’ll never know.

    The one song that Rick says is commanding a lot of attention by the radio stations is “Sometimes”, and I can see why. When you hear this song for the first time, it grabs you by the ears and doesn’t let you go until it’s darn well ready to. Be warned! Don’t listen to this song while driving. There’s something about the tune that makes you want to put the pedal to the metal and make the roads melt.spacerun: yes;"> This song is destined to be a crowd pleaser for Rick for years to come. It wouldn’t surprise me to hear this song used in a car commercial or some incredible scene in a movie. It’s THAT good!

    Derringer’s interpretation of Hendrix’s, “If 6 Was 9”, would make Jimi stand up and take notice. Besides the fact that seeing Hendrix stand up today would scare the rain right out of our clouds, I would dare say that Rick’s version would give the original a run for its money. I don’t think Jimi would mind a bit. Can you imagine what it would sound like to hear Hendrix and Derringer jam together? Dwell on that thought for a minute or two!

  • rebelroadcoverRebel Road
    Edgar Winter
    Airline Records
    Reviewed: June, 2009

    Rebel Road is Edgar Winter’s 20th recording. Of course, this doesn’t include his countless collaborative works as well as the myriad soundtracks and commercials that have used his iconic work.

    Winter’s landmark hits, Frankenstein and “Free Ride” still stand up well as pillars of rock classics. That said, I sincerely believe that Edgar’s work on “Rebel Road” have the same quality material that will stand the test of time. Not only that, I also believe that we will see Mr. Winter add another genre to his appeal by drawing Country fans to his work. Either that or Country artist will record his work, exposing him to that lucrative base.

    But I’m getting ahead of myself here. Let’s look at the title cut from the CD.

    “Rebel Road” has all the right ingredients for a rock classic. It rocks the senses! It also doesn’t hurt that guitar virtuoso, Slash, handles the axe work on the tune. This song cries out to be used in a Harley Davidson commercial. Are you listening to me, Keith Wandell? Or how about you, Mark-Hans Richer? This advice is free. The rest of my brilliant ad ideas will cost you. You know how to reach me.

    Back to the disc.

    Rebel Road makes you want to get on a Harley and hit the roads at very high rates of speed. I say that and I don’t even own a motorcycle. That’s the affect this has on its listeners. Did I already say that it rocks?

    The other brilliant tune that was originally the working title cut for the album is “Rockin’ the Blues”, featuring Edgar’s brother, Johnny. When two siblings who have rock, blues, and jazz burned into their DNA like the Winter boys do, you know that when they get together to jam, sheer brilliancy will result. Between Edgar’s signature keyboard work and Johnny’s straight forward rock/blues genius, I have run the risk of causing my iPod to get permanently stuck on this tune. Yes, it’s that great.

    Winter crosses the genre barrier with two incredible Country flavored tunes, “The Power of Positive Drinkin’” and “On the Horns of a Dilemma”. Both cuts feature Country great, Clint Black. Clint plays the harmonica on “Drinkin’” as well as on “Dilemma” with a bit of vocals to boot. Why these two great tunes haven’t commanded the attention of the suits on Music Row in Nashville, I’ll never know. I would say more but I’ve already given too much great, free advice in this peace. You guys know where to reach me. Have your people call my people and we’ll do lunch.

    At the risk of getting real mushy on everybody, I have to say that “The Closer I Get” is one of the best love songs that I’ve heard in a long time. Written for his wife of over 30 years, Monique, this song should serenade every wife on anniversaries and Valentine’s Day. It’s heart-felt, positive and romantic, all in one tune.

    Speaking of positive, this disc oozes an upbeat, positive vibe, even on the blues tunes. It’s refreshing to hear an album that has a positive message over-arching the entire work without making it a concept album.

    I’ve hit on all of my personal favorites but the whole CD is great.

    “Rebel Road” proves, yet again, that Edgar Winter is not only a versatile, musical genius but still relevant on the music scene after over forty years in the business.

    Buy the disc. In fact, buy two and give one to a friend. Trust me. They’ll love it.

  • Posted May, 2009

    RickDerringer1In the early Seventies, many a teenage boy fantasized about being able to play guitar just like their favorite guitar hero.  When they’re favorite guitar song would come on the radio or while listening to it in their room, they would imagine that was THEM playing that song.

    One such song during those innocent times was a song that helped define the music of the Seventies.  That song is "Rock and Roll Hoochie Koo".  The guitar virtuoso wailing on the guitar on that song was a 26 year old man by the name of Rick Derringer.

    By the time that song was rocking the airwaves, Derringer was already an 8 year veteran of the rock scene.  He recorded his first huge hit, Hang On Sloopy, at the tender age of 17, with his band, The McCoys.  He also performed the guitar solo on Alice Cooper’s 1971 album, Killer.  Soon after “Hoochie Koo”, Derringer had a follow-up hit with Teenage Love Affair.  With those hits under his belt, Rick worked with Johnny Winter and his brother, Edgar, as well as the jazz rock band, Steely Dan.

    In the Eighties and Nineties, Derringer has been involved in a plethora of projects and bands, including working with Weird Al Yankovic, Barbara Streisand, Kiss, and Cyndi Lauper, as well as work for the World Wrestling Federation.  This was all in addition to his continual touring and working on his own projects.

    In recent years, he’s converted to Christianity but still tours and performs his past hits as well as his more recent work.  In 2006, he was featured in a Fidelity Investments television commercial.  In 2007, “Rock and Roll Hoochie Koo” was featured in the Xbox 360 version of Guitar Hero 2, which will inspire another legion of teenage boys to fantasize about playing just like Rick.

    I had the privilege of sitting down with Rick Derringer during his appearances at the 2009 Dallas International Guitar show.  We covered a wide range of topics that included his new CD, Knighted By The Blues, and his line of guitars. We also discussed his vintage guitar business and the market in general, as well as his faith and several other topics.

    A scramble-brained rock star he is not.  Derringer is an affable man who can converse on almost any topic and smoothly segue from one topic to another.  His business finesse and command of current events and how he views it all through the lens of his faith is evident from the git-go.

    I started off by asking Rick Derringer how the guitar show was going for him.  “Very good!  I mean, I come here, more than anything, to just do my concert, be a part of this great roster of guitar players and Jimmy Wallace, who runs the show, is also a good, strong Christian and I like to help him out.  One of my favorite parts of the show is Sunday morning, before the show starts, we have church over there.  So, I come here for a lot of other kind of reasons that aren’t necessarily connected to selling guitars.

    “On the other hand, I do work with Warrior Guitars.  We’ve created a Rick Derringer Signature Model guitar.  And, uh, I always spend a quite a bit of time at their booth showing people that guitar.”

    When asked how sales of his Signature Model guitar were, he enthusiastically responds, “They do pretty well!  It’s a custom guitar company.  They make them by hand.  You don’t see them in many music stores so it’s kind of a smaller number of sales than like a Paul Reed Smith or something like that.

    Paul Reed Smith, I think, makes 70 a day at this point.  And we make about, I think, 30 in a month, which is still pretty good volume but – and there are all other (Warrior) guitars as well as the Rick Derringer model.  But people that play it enjoy it and because of that, most of them that are really ready to buy a guitar – after they play it, will buy that one! “

    We then segued into a discussion about his vintage guitar business.  He describes it this way:  “Yeah, well, always in my life, I’ve been a lover of toys.  A new guitar, to me, is a toy.  And, so, I enjoy acquiring the NEW guitars.  So, what I usually do is, I take my old ones and I play them for awhile.  And they end up sitting somewhere in a vault or somewhere.  Eventually, I sell those old ones so that I can get more NEW ones!  And that has turned into being kind of a business over the years. I always have guitars in my collection and whenever I put a few up for sale, they seem to go pretty fast.  We always provide a certificate with them saying that they’re from my collection and that adds a little bit to the value, as well.”

    However, Derringer acknowledges that the current economy is impacting his business.  “I think that it’s affecting everything!  Not just the vintage guitar business.  It definitely affects everything.  I mean, we’ve all heard that people thought that they had money.  They thought they had invested wisely in real estate and they looked at that equity as their nest egg.  And they looked at themselves as affluent!  As soon as that disappeared, as that nest egg became, apparently, gone, that affluence that they felt was gone, too.

    “So, all of a sudden, when people felt that they had money that they could spend for whatever it was, they don’t feel like that anymore.  So, I think it’s definitely affected the vintage guitar business from one point of view.

    “Now, here’s the other side of the coin:  People are nervous about putting their money in real estate.  They’re nervous about putting it in stocks.  And there are some things that have intrinsic value that will not go away.  One of those things is rare instruments and from that point of view people that see that are still there and they’re actually looking to buy up instruments right now when they’re cheaper – a little cheaper.”

    With the help of a weak dollar, Rick is seeing continued purchases not only domestically but from overseas, especially Japan.  “It’s a world-wide business. Certainly the Japanese like to come over and take the guitars back over there.  But it’s a worldwide business.”

    We turn the discussion to Derringer’s touring.  “Touring this year is less.  This year, I decided to just really tell my agent that I was retiring from concerts.  He chose that as a opportunity to say, ‘Well, if I got you ‘this much’ money, would that mean that we could still get you out there?’  And, I said, ‘Yeah’.  But it was quite a bit more than I have previously charged.  So, I didn’t expect to get any gigs, frankly.  I just said, ‘Okay, I will put in the hands of the Lord and He will provide.’

    "And what has happened is He has!  Just by not having as much of my time tied up travelling, I’ve been able to work on a lot of other kinds of projects.  Albums, CD’s and things like that.  And, also, then just devoting time to properly focusing on our business.  We also manage other artists and produce other records and things like that, too.”

    Derringer has a new CD out entitled, Knighted By The Blues.  I asked him to tell me about it.

    “Yeah! ‘Knighted By The Blues’, it’s called.  It’s on Blues Bureau International Records.  I’ve done – this will be the fifth one for them.  And each time – in some ways – they’ve given me a little more freedom.  But Mike Varney, the president of the company, really is a very strong president.  He has his definite ideas.  He’s a guitar player himself.  He wants to make records for guitar players.  And he wants, somehow, to make sure his interests are protected.  He helps you choose songs for the records and things like that.  And this is the first one where he’s actually allowed me to just ahead and do it without his – I did it in the studio where I like to record as opposed to his turf.  I used the musicians that I like as opposed to the ones HE likes.  I chose the material myself as opposed to him having any input.  And from that point of view, it certainly reflects more what I look at as a blues CD.  And that is not necessarily the strict, old-timey, kind of blues that – it’s a different kind of blues CD.

    “It’s a little more current.  The songs are more relevant to subjects that I think are current.  It doesn’t rely as much on just old songs, too.  There are not as many covers there.  And the covers that I have done, I am personally fond of as opposed to somebody saying, ‘Well I think everybody else is going to like this song.’

    “I’ve done Jimi Hendrix’s, “If Six Was Nine”, which is a song that I always enjoyed.  We changed the lyrics just enough to make them reflective of my Christianity.  And it’s not one that a lot of people have covered.  So, it’s one that people will find refreshing.

    “I did a very rare Ray Charles song that I don’t know – I think only one other person has ever even recorded it as far as I know.  Diana, uh, not Krall. Ah, it doesn’t matter.  At any rate, only one other cover that I know of, of the song.  It’s called, “Funny, But I Still Love You” and I LOVE that song.  We closed the album with that one.

    “So, most of it, though, is brand new original stuff.  And it expands the gamut from the slow, what we call “gut bucket blues” all the way to – one which seems to be finding acceptance with rock radio.  I can’t believe it!  I never would’ve expected it!”

    Later in the conversation, Derringer glows as he describes his wife’s contributions to the CD.  “She’s written about – we wrote seven songs – original songs.  And I think one or two of them I wrote.  One of them, she wrote. And the rest we wrote together.  She’s right there all the time!

    “One of the songs – the one that rock radio likes – she didn’t even present that lyric to me.  She said, ‘Here’s some stuff that might be good for the blues album.’ But that’s not one of them.  I actually was able to go into her computer and pull up her song file and go through things.  And I found that one that she hadn’t even taken that much of an interest in, frankly.  But I said that this could be really cool!  So I took that one myself without even asking her and took it to the studio and turned it into a song, which she was pleasantly surprised!”

    Later, when asked about the rest of his family, Derringer’s eyes light up again, telling me that he has a 16 year old and a 17 year old.  I comment that “they’ve obviously got to think that it’s pretty cool that their dad is a rock ‘n roller and can show them a thing or two.”

    He shoots back, “They do! They do!  My daughter really sings well as does my wife.  And my son, he’s turned in to more of a writer.  He’s turned into a lyricist, so he’s writing words for songs.  And that’s cool.  So, we’re just – whatever they want to do, is pretty much up to them.  I try not to be the boss too much.”

    One of the questions I like to ask those that I interview is how, if they were starting today instead of when they did, would they be able to start the same way?  I asked Derringer this question.  His reply surprised me.

    “It wouldn’t be a lot different.  I mean, we were out there in the grass roots, just trying to be a good band.  And that doesn’t change.  You’re not going to get anywhere if the band isn’t good enough.  So, the first thing you concentrate on is on being a really good little band.  And we then went out, using that.  (We) got local gigs – as many as we could and tried to find gigs with radio stations and things like that, that would give us a little more visibility.  And that’s no different.  Everybody has to do the same kind of thing in that respect.  And, obviously, the end result is that somebody will find YOU.  The music business will find YOU.

    “People have it a lot easier in some ways now.  They can supply their music to download sources, iTunes just being one of them.  But they – without a record company – can get their music out there and, theoretically, grow and become more well-known.  So that’s the only thing that’s really changed is the way – the ease – which you can get into the music business.  In some ways, it’s easier now than it even was then.

    “The music business still loves young people – the young artists.  From that point of view, that hasn’t changed, either.  It’s easier for a young person to get a contract or record deal – or even a place on American Idol than it is for an older person.  That hasn’t changed.  So, uh, in some ways, I’m giving a message of hope and blessing because it’s just – all they have to do is be good.  Practice enough to be good.  The rest will come pretty easy.”

    “So, is there a guitarist today – new – that really commands your attention?  I don’t want to put you on the spot!”

    After pausing for just a moment, Rick answers, “Nobody in particular.  I was going to say a couple of names but – nobody in particular.  In fact, the lead guitar has kind of been downplayed, and it’s just more about the music and the songs than ever.  That hasn’t changed.

    “But, you know, people are starting to find – I understand that the vinyl records has gone up over 30% last year.  And a lot of that is specifically college kids – people in dorms.  And they found that they don’t just have to have ear buds and only be by themselves.  They can actually put a turntable in their room, with speakers, and play music and other people can come in the room and all of them hang out at the same time!”

    “Interaction, imagine that!”

    “Yeah!  So, from that point of view, it seems to be growing more and more all the time.

    Bringing the discussion back to the theoretical “then and now” discussion, I asked, “If you were 16 today and starting a band, would you be doing the kind of music you’re doing now?  Do you feel that was just what you were cut out to do?”

    “ Yeah, music has to be reflective – every kid will find the kid of music he likes.  But they are finding, like I said – through the LP’s and stuff – they’re finding those guitar players.  They’re finding me and they’re finding Jimi Hendrix, Jeff Beck and Jimmy Page.  All the music from the era that we’re from is being found, whether it’s by young kids or college kids.

    “Guitar Hero (Xbox 360) used “Rock and Roll Hootchie Koo” in its very second incarnation, Guitar Hero 2.  So I was only one of the first 20 songs that were out there and that is giving us a world-wide presence again, too.  So, that kind of stuff is making – in fact, they accounted for 1/3 of the world wide music business in the last few years - Guitar Hero alone!  It’s incredible.  Everybody has one now.  The family has one.  Some families have several!  But it’s amazing what that has done for music, too.”

    I add, “Our generation of music, it just spans.  It can stand on its own.  And people reach back to it as a foundation.”

    “Well, it meant something special to us as a generation of – I don’t think that it holds the same place.  Music is viable, certainly, and kids will always go there.  Music is always going to be something that helps people.  Music is a different language – language of our soul, in some ways, (the) language of our heart.  And that’s not going to change.  We are humans.  As long as we have souls and hearts, then music will be viable.  And that hasn’t changed at all.  Like we said, kids will find the music they feel is important to them.  And that’s the stuff they’ll do!”

    Derringer is not the least bit shy in letting it be known that he is a Christian.  Since he brought it up a couple of times, I drilled into how his faith has impacted his relationships within the music business and with his fan base.

    “It hasn’t hurt anything!  It hasn’t hurt at all!  As a matter of fact, the idea is for some of ‘me’ to rub off on them!  And that’s what we’re really most excited about.  THAT’s the idea.  I mean, if all of a sudden I changed as a person and I – my music started sucking – uh, they’d all have a pretty bad image of it.

    “They’d blame it all on it (his faith), huh?”, I added.

    “Yeah, but, in reality, what happens is, you know, you’re still the same person you always were.  Where the Lord loves us THEN, He loves us NOW!  And music doesn’t have to get worse.  The fact of the matter just have to have ear buds and only be by themselves.  They can actually put a turntable in their room, with speakers, and play music and other people can come in the room and all of them hang out at the same time!”

    “Interaction, imagine that!”

    “Yeah!  So, from that point of view, it seems to be growing more and more all the time.

    Bringing the discussion back to the theoretical “then and now” discussion, I asked, “If you were 16 today and starting a band, would you be doing the kind of music you’re doing now?  Do you feel that was just what you were cut out to do?”

    “ Yeah, music has to be reflective – every kid will find the kid of music he likes.  But they are finding, like I said – through the LP’s and stuff – they’re finding those guitar players.  They’re finding me and they’re finding Jimi Hendrix, Jeff Beck and Jimmy Page.  All the music from the era that we’re from is being found, whether it’s by young kids or college kids.

    “Guitar Hero (Xbox 360) used “Rock and Roll Hootchie Koo” in its very second incarnation, Guitar Hero 2.  So I was only one of the first 20 songs that were out there and that is giving us a world-wide presence again, too.  So, that kind of stuff is making – in fact, they accounted for 1/3 of the world wide music business in the last few years - Guitar Hero alone!  It’s incredible.  Everybody has one now.  The family has one.  Some families have several!  But it’s amazing what that has done for music, too.”

    I add, “Our generation of music, it just spans.  It can stand on its own.  And people reach back to it as a foundation.”

    “Well, it meant something special to us as a generation of – I don’t think that it holds the same place.  Music is viable, certainly, and kids will always go there.  Music is always going to be something that helps people.  Music is a different language – language of our soul, in some ways, (the) language of our heart.  And that’s not going to change.  We are humans.  As long as we have souls and hearts, then music will be viable.  And that hasn’t changed at all.  Like we said, kids will find the music they feel is important to them.  And that’s the stuff they’ll do!”

    Derringer is not the least bit shy in letting it be known that he is a Christian.  Since he brought it up a couple of times, I drilled into how his faith has impacted his relationships within the music business and with his fan base.

    “It hasn’t hurt anything!  It hasn’t hurt at all!  As a matter of fact, the idea is for some of ‘me’ to rub off on them!  And that’s what we’re really most excited about.  THAT’s the idea.  I mean, if all of a sudden I changed as a person and I – my music started sucking – uh, they’d all have a pretty bad image of it.

    “They’d blame it all on it (his faith), huh?”, I added.

    “Yeah, but, in reality, what happens is, you know, you’re still the same person you always were.  Where the Lord loves us THEN, He loves us NOW!  And music doesn’t have to get worse.  The fact of the matter is, your conscience being freed up just lightens your load so that your creativity and music can soar!  That’s what I’ve found and people are excited about hearing that.

    “So it hasn’t turned anybody off and, as a matter of fact, I have people telling me all the time that they appreciate seeing my testimony on the website.  And we’re actually spreading that more all the time, rather than less.  And that helps people see that they can, you know - they’re not alone!  The Lord can help ME.  He can help them!  And that’s the message that we have!”

    Rick becomes even more animated at this point.  “Amazing!  Yeah!  Yeah!  You just put your – live by faith!  LIVE-BY-FAITH!  Because HE will provide!  “I will take care!” Like this year, for instance, like I said, I raised my price pretty drastically.  And, all of a sudden, I was turning down some shows because they were for less than what I was asking for.

     “And my road manager called me up and he was a little concerned, you know?  “You’re turning down this show!  This is a good concert!”  And I explained to him, ‘You know? Look. I put it in the hands of the Lord.  I told the Lord that I have FAITH that He will PROVIDE what we see as necessary.  If all of a sudden we take the first gig that comes along that is way less than what I asked the Lord for, what kind of faith is that?’  What kind of faith does that show?!  You HAVE to have the faith!  I mean, you just can’t pretend.  It has to be real!  As long as you put your faith in the Lord, He will provide!”

    Curious how the church world was receiving him, I asked, “Are you getting any interest from church circles for your work?”

    “Uh, well, we haven’t really tried to go out there and, uh, shoot for that.   But slowly –“

    “You’re a different kind of gig than that.”

    “Yeah, and I do have more churches and stuff, though, that are coming around, asking me to perform, and things like that.  But here’s what happened.  When I first started doing more Christian based music and changing some of my songs to reflect that standing, I was a little concerned about the kind of shows – we’d play for biker events.  And I don’t play anymore - we were playing bars and those kinds of venues.  And I was a little concerned so I asked my pastor at that time for their advice.  And what they told me was that, really look at it as the opportunity that the Lord has given me!  If I go into a church, playing for a bunch of believers . . .”

    “You’re preaching to the choir!”

    “Yeah, it certainly reinforces THEIR belief.  Once again, their saved!  You’re preaching to the choir!

    “On the other hand, the places that I just mentioned where I play, they don’t necessarily ever invite a Christian artist to play those places.  So, I’m able to go in there – totally with their approval – and they’re even paying me – and play my concert and throw in a few songs that have now been changed to reflect that Christian standpoint.  I’m given that opportunity that nobody else has!  So I’m able to go in there and just do what Jesus said to do!  Be that light in the real world and, uh, deliver that message.  And even if some people don’t hear the lyrics, if they just – if I’m reflecting Jesus to that audience and they should be able to feel that and see it . . . and it works!  They said, ‘You should be doing THAT! That’s a responsibility that you’ve been given and you should honor it!’ And that’s what we do!”

    Later, when mentioning other rockers who have also proclaimed their faith, Derringer interjects, “We call ourselves, ‘Double agents for the Lord!  We’re working behind the enemy lines!”

    We wrapped up our chat with what he’s got coming up, which includes some dates with Edgar and Johnny Winter in September.  Rick Derringer’s appearances are listed on his website, www.rickderringer.com.

    This article written by Randy Patterson.  All rights reserved and cannot not be used without written permission, which can be obtained by writing This email address is being protected from spambots. You need JavaScript enabled to view it. .