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  • CAN'T GIVE IT AWAY ON SEVENTH AVENUE: The Rolling Stones and New York City

    cantgiveitawaycoverCAN'T GIVE IT AWAY ON SEVENTH AVENUE: The Rolling Stones and New York City
    Author: Christopher McKittrick
    Publisher: Post Hill Press
    Release Date: June 25, 2019

    Reviewed by: James Robert Patterson

    Christopher McKittrick has authored a must have, and a must-read book for anyone who over the years have grown up with "The World's Greatest Rock 'n Roll Band". Certainly, as fans we remember when an album was released, or a new song came over the radio, or maybe one of those stories about what the Rolling Stones were doing; well Christopher has given you the details behind those events…and more. If you are of that generation, that time, the era of the Rolling Stones, then you remember those events as they may have coincided with events in your own life. Martin Scorsese's quote found in the book could not have said it any better for those of us who have followed the Stones all our lives. "At different times in my life, the Rolling Stones' music dealt with different aspects of my life that I was trying to make sense of. Their music has stayed with me and been a very important part of my life over the years."

    Christopher interweaves the life of the Stones with New York City. He covers multiple venues in New York where the Stones " played, in addition to other venues around the world. He takes you into details with so many well-known personalities that the Stones interacted with, to name a few, The Beatles, Hendrix, Dylan, Prince, Hammond, Jackson and Warhol. He takes you through the highlights of tours with intricate details, of albums released in conjunction with a tour, the concerts set list, attendance numbers, famous people there, reviews both pro and con, who opened, and who played with the band.

    It’s very evident Christopher did his homework, pulling facts from many sources, such as newspaper reviews, magazines, including Rolling Stone, and awe-inspiring quotes from the individual books of Richards, Wood, and Wyman. As you read you might also wonder if Christopher had access to Jagger and Richards diaries.

    To tease your knowledge of Stone events, how about these interesting details from the book: Photographer Michael Cooper, who did the album cover of Sgt Pepper’s Lonely Hearts Club Band, also did Her Satanic Majesties' Request. I'm not revealing too much of the book because there are 256 pages of inspiring and cool facts. A few more facts: a favorite interviewee of Boomerocity.com, Bernard Fowler, backup singer for the Stones, in 1992 was on the solo albums of Watts, Wood and Richards. A young Jagger's quote, "I'd rather be dead than singing Satisfaction at the age of 45". The mild-mannered Charlie Watts had a bout with drugs and throat cancer. And Jagger's reflection on how the Steel Wheels Tour changed the industry and how it turned the Stones from a rock band to a world-class entertainment venture.

    Fans are well aware of the Mick and Keith's significant disputes. Mick is quoted, "no fights, just disagreements." And there's Richards Rolling Stone quote about an apology to Mick, to keep the band together, "I'd say anything to get the band together, you know? I'd lie to my mother."

    For the most avid Stone fan reading Can't Give It Away On Seventh Avenue, you'll think, "I remember that, Wow I didn't know it happened like that!". And for the reader who wants to find out more details of the Rolling Stones, more intimate specific details, then this is your book. Christopher McKittrick has done a meticulous and comprehensive coverage of "The World's Greatest Rock 'n Roll Band".

     

     

     

     

     

     

  • CAN'T GIVE IT AWAY ON SEVENTH AVENUE: The Rolling Stones and New York City (3)

    cantgiveitawayaudiobookcoverCAN'T GIVE IT AWAY ON SEVENTH AVENUE: The Rolling Stones and New York City - Audio Book Version
    Author: Christopher McKittrick
    Publisher: Post Hill Press
    Release Date: June 23, 2020

    Reviewed by: James Robert Patterson, Updated by Randy Patterson

    A year ago this month, we reviewed the book, CAN'T GIVE IT AWAY ON SEVENTH AVENUE: The Rolling Stones and New York City. It still is an amazing read and, now, Christopher McKittrick is serving it up in an equally engaging audiobook format.  To refresh your memory or if you're unfamiliar with the book, ere's what we wrote about it last year:

    Christopher McKittrick has authored a must-have, and a must-read book for anyone who over the years, has grown up with "The World's Greatest Rock 'n Roll Band". Certainly, as fans, we remember when an album was released, or a new song came over the radio, or maybe one of those stories about what the Rolling Stones were doing; well Christopher has given you the details behind those events…and more. If you are of that generation, that time, the era of the Rolling Stones, then you remember those events as they may have coincided with events in your own life. Martin Scorsese's quote found in the book could not have said it any better for those of us who have followed the Stones all our lives. "At different times in my life, the Rolling Stones' music dealt with different aspects of my life that I was trying to make sense of. Their music has stayed with me and been a very important part of my life over the years."

    Christopher interweaves the life of the Stones with New York City. He covers multiple venues in New York where the Stones" played, in addition to other venues around the world. He takes you into details with so many well-known personalities that the Stones interacted with, to name a few, The Beatles, Hendrix, Dylan, Prince, Hammond, Jackson, and Warhol. He takes you through the highlights of tours with intricate details, of albums released in conjunction with a tour, the concerts setlist, attendance numbers, famous people there, reviews both pro and con, who opened, and who played with the band.

    It’s very evident Christopher did his homework, pulling facts from many sources, such as newspaper reviews, magazines, including Rolling Stone, and awe-inspiring quotes from the individual books of Richards, Wood, and Wyman. As you read you might also wonder if Christopher had access to Jagger and Richards diaries.

    To tease your knowledge of Stone events, how about these interesting details from the book: Photographer Michael Cooper, who did the album cover of Sgt Pepper’s Lonely Hearts Club Band, also did Her Satanic Majesties' Request. I'm not revealing too much of the book because there are 256 pages of inspiring and cool facts. A few more facts: a favorite interviewee of Boomerocity.com, Bernard Fowler, backup singer for the Stones, in 1992 was on the solo albums of Watts, Wood, and Richards. A young Jagger's quote, "I'd rather be dead than singing Satisfaction at the age of 45". The mild-mannered Charlie Watts had a bout with drugs and throat cancer. And Jagger's reflection on how the Steel Wheels Tour changed the industry and how it turned the Stones from a rock band to a world-class entertainment venture.

    Fans are well aware of Mick and Keith's significant disputes. Mick is quoted, "no fights, just disagreements." And there's Richards Rolling Stone quote about an apology to Mick, to keep the band together, "I'd say anything to get the band together, you know? I'd lie to my mother."

    For the most avid Stone fan reading Can't Give It Away On Seventh Avenue, you'll think, "I remember that, Wow I didn't know it happened like that!". And for the reader who wants to find out more details of the Rolling Stones, more intimate specific details, then this is your book. Christopher McKittrick has done a meticulous and comprehensive coverage of "The World's Greatest Rock 'n Roll Band".

     

     

     

     

     

     

  • LISA FISCHER CASTS NO STONES

    Posted March 2020

    LisaFischer TwentyFeetFromStardomLisa Fischer As Seen In 20 Feet From StardomWhen one hears the name, Lisa Fischer, one of a few scenarios come to mind.

    The first might be her 1991 Grammy Award-winning album, So Intense, and her hit song, How Can I Ease the Pain. Sexy. Smooth. Sultry. An incredible range. The entire package. Even today, she commands attention and accolades from her legions of fans who have followed her since. More about that in a moment.

    Most likely, one will think of her as the sole – and soulful – female backup singer for the likes of Tina Turner, Luther Vandross, Roberta Flack, Teddy Pendergrass, Chaka Khan, Sting, Anane Vega, and, Chris Botti.

    Oh, yeah. And the Rolling Stones.

    For some of you, the light bulb has now lit up in your heads.

    Yes, Ms. Fischer is THAT sexy singer who commanded everyone’s attention during her vocal solo during the Stones’ “Gimme Shelter”. The solo first recorded and made famous by the legendary Merry Clayton and that Lisa owned – lock, stock, and barrel – for the twenty years she toured and recorded with the bad boys of rock and roll.

    All of this led to Lisa being among those featured in the award-winning documentary, 20 Feet From Stardom. This led to an even greater interest in her and her talent which has led to a tour that is underway. For that reason, I had the personal thrill and opportunity to finally get to interview Ms. Fischer by phone to talk about her tour – among other things.

    I started by telling her that I had just recently stumbled upon a video of her performing the Rolling Stones’ “Wild Horses” with Scotty Sharrard that blew me away. When I shared that I felt that they both fed off of each other’s energy, she shared:

    “That was my first time working with Tony. It was wonderful. It was at the Brooklyn Bowl - I think last year. Yeah. He's awesome.”

    When I think of Lisa and her work and the energy that she projects when she performs - solo and otherwise - I sense a spirit of humility, confidence, and serenity. I sense a type of spirituality that is the foundation of her talent. I asked her if I was correct in my perception.

    “Yeah, I think that's true. You know, kind of like you, as a person, you feel like everything around you affects you. When I was little, both of my grandmothers were church people. On my father's side - my paternal grandmother was the mother of a church in Brooklyn. My maternal grandmother, she was ill, but she read the Bible every day so she had church in her bed. And, so, I would always try to help her read the Bible and all that kind of stuff. So, I was always aware - or made aware - I was taught the awareness of something greater than that we're all just kind of here trying to figure it out. So, you know, this to me - there's so many threads in different spiritual practices that seemed to resonate with each other. It's just different colors and different names and different things. But the essence of it, if you were a baby and couldn't speak a word, it's the same feeling to me.

    “It's interesting because my niece just had a baby last summer and the baby was smiling when she was born. It was just beautiful because, in my mind, I imagine that she's just fresh out of heaven and is still smiling, still seeing angels and maybe still seeing God. And still, you have all these scenarios in your mind like, why do babies smile? Why are you so happy? Certain babies are happier than others. And others are just kind of like more thoughtful. You have to kind of work on them to get them to giggle. But this one, she's just constantly smiling. She smiles in her sleep.”

    I added that Ms. Fischer exudes level-headedness but, yet, a forcefulness of power behind her voice and in her stage presence that is much different than other excellent performers. She responded:

    “It's so interesting you say that. It's funny because I think it's a background thing, which is, most of my life you have to learn how to listen, learn how to feel and listen. Sometimes, people say things without saying a word. And, so, you have to listen to those silent conversations as well. I've always had to be sensitive outside of myself, not just what it is I want to do. What does this person need? What do they require of me? What's the best way I can serve them and serve the music that they want to promote, promoting the dreams and their visions. And, so, having to shift gears so often, sometimes he's the same person, call you back to do something and they totally switch their whole perspective. So, it's like I have to constantly stay really open, really sensitive to what the job is, which really isn't work to me. It's really just a beautiful service. But when I get to do lead vocals, then the music becomes the boss. The music starts to become the boss in a melodic sense and a lyrical sense. The choices that I get to make become more intuitive. It's a lot of fun just shifting and molding, you know? Looking at a particular situation and go, 'What's required here?' It's just so much fun to feel that you're in service to a purpose.”

    I didn’t plan on doing it, but I made a comment about the blinding glimpse of the obvious: It took a lot of guts and a steel spine to decide to walk away from a cushy gig like singing backup for the Rolling Stones as she had for twenty years. I asked her to tell me about what led to taking such a giant step.

    “I was there. I was touring with the Stones. And though it is stable from the outside looking in, there's still a lot of instabilities on a day-to-day level for me because I never assumed that they're going to call me back. I never assumed that they may change their mind or find someone that they really want to try out because it's really the artist's decision what they want to do. But luckily, you know, everything worked out and then they continued to ask me back. I just felt so grateful that I would still be useful to the tour.

    LisaFischer Djeneba Aduayom 2830 2 reducedPhoto by Djeneba Aduayom“But I never had any control over when I would work. And then there'd be times and huge spaces – years, maybe - that we wouldn't work. And, so, we’d have to go back to finding other things to do, which has also been a blessing. But it's definitely not stable in a working musician's mind if you know what I mean.

    “With that said, the decision to kind of focus on myself came because I was trying to balance both worlds. I was trying to balance the Stones tour and then the aftermath of '20 Feet from Stardom' and the success of that. I had no idea what was going to happen. I just kind of did it as a labor of love and there was no money involved. I just kind of did it, you know, because it felt good to do. Gil Friesen, who - it was his brainchild and he sort of brought the whole thing to life - was such a beautiful man and it's such a beautiful purpose. I was just like, 'Wow, what a cool idea!' You know? Ask about background singers because he came to a show and he was, 'Oh, yeah, it's so great to see what you guys do and think about doing a movie about it.'

    “So, fast-forward: The film wins an Oscar and I was getting offers to do shows on my own. It was so different from me. So, I said, 'Well, let me get a manager or someone to help me.' And I did. I have found Linda Goldstein who manages Bobby McFerrin. I've known her for a while and done some work with her. We had a really good rapport. Still do. And we worked it out to where I'd find out the Stones tour schedule, which was top secret even to me. Ha! Ha! I like it because it shifts and changes and it's their worlds, you know? You sort of ask, like, 'Hey, when are you guys working?' It's kind of like not such a comfortable conversation; not such a professional conversation. So, they were kind enough to give me the information that they knew. And then I would try to - not I - but my team would work on booking shows around the Stones tour. Fast forward. The Stones - some of those Stones tours got canceled for various reasons and they would have to reschedule. So, then I would have to reschedule.

    “So, I'm thinking. 'I'm a new artist, even though I'm old, right? But I'm a new artist to these promoters and I don't want them to think I'm a flake. I call and I go, ‘Gee, well, you know, I know he kind of said I was going to do 30 shows, but I can't because the Stones are doing blah, blah, blah blah blah.’ It got to the point where I just felt like it's not fair, one, to the audience. It's not fair to the promoters. It's not fair to me as far as building my reputation in the business if I really want to do this.

    Posted March 2020

     

    “So, I had to make a very difficult decision. It's like I don't think I'm in the position anymore to try to work it out - with this scheduling - because life is a mystery and we never know why things have to change. But, you know, I have no control over that and, sometimes, neither do they. So, I had to kind of say, ‘Okay, it might be time.’ I thought that was one reason - just to sort of promote my own life and my own choices. And then also, too, I felt like, you know, I'm in my 50s now. I'm older and heavier now.”

    To which I interjected: Aren't we all? Lisa laughed and continued:

    “Yeah, well, everyone but the Stones. For some reason, they're just locked in time. Oh, my lord. And that's the truth. It's amazing. I think that's one of the reasons why I just get such a kick out of them. They give me hope, you know? So, it is LisaFischer Djeneba Aduayom 2934 reducedPhoto by Djeneba Aduayomhumanly possible! I just haven't figured it out yet for myself! Ha! Ha! It's humanly possible, you know what I mean? I always look at them with this wonderment and joy and appreciation. And it's so difficult to walk away from such a nurturing situation. It's like family. I watched the kids grow up. I've seen grandkids. It's just so much beauty and love and respect and joy. All the guys are just amazing and even all the side musicians - just love them. And, so, it was really emotionally difficult.

    “I was doing a show in Canada and I had to call the promoter and I cried after I hung up the phone. It took me a while to pull myself together to do the show because I just like - it felt like a death. It felt like someone had died. Then the fear sets and it's like, ‘Did I make the right decision? Should I have, say, invested in my own path?’ It's a scary thing.

    “It's been - I don't know - three years, four years now, maybe more. And so luckily for me, taking the chance was worth it. But I still miss them to pieces. I keep threatening to come and visit at a show, I just want to see them from a perspective that I've never got to see them. I've never gone to see a live Stones show. I've been in the shows. Yeah. It's like I keep threatening - before they decide to never tour again - to go and see them. I want to do that. So funny.”

    I mentioned Mick Jagger’s health scare last year and that showed us that we’re all mere mortals. Lisa replied:

    “Indeed. But, you know, you know, he does all the right things. And he's such a health-conscious human being. I think his dad was like a gymnast, a gym teacher. So, yeah, you know, health was really important - everything that he did and does. So that fragility that you're talking about – yeah, it's a crazy thing. And I know it's inevitable that we all happen to pass this way. You know, for some reason, I just feel like people live forever and ever - forever on certain planes. I look at Mick and Keith and Ronnie and Charlie and they're just so alive. They're alive beyond their living. I mean they live within us all as fans. People who love them. They live on different plains.”

    While on the subject of the Rolling Stones, I asked Ms. Fischer if she was friends with her replacement, Sasha Allen, and if she had anything to do with her getting the gig.

    “We've become friends. I've met her and she's just - I shouldn't say, like friends in the sense of, like, we go out to dinner. We are friendly and I really adore her. I think she's amazing. I didn't know her until after she was hired. I was trying to help them with names of different people to audition. You know, people that they hadn't seen before because they'd seen so many people some years back; to see who would be available and who would be a good fit. Only the Stones know what works for them. So, you put the name in the hat and you pray for the best for each person. I'm not sure how Sasha's name came into play, but it did. It wasn't through me, but it was a beautiful fit and they seem to love her. So, yeah, she's been doing a great job. She's got an awesome voice, a beautiful personality, a gorgeous girl, and the fans seem to really love her. So, it seems like a wonderful match.”

    Lisa Fischer is embarking on a tour so I asked her to tell me about it and what fans can expect.

    “This is a vocal piano duet show. It's a very personal show in the sense that it's very intimate. It gives me the chance to pick beautiful songs that have passed through me in my life. Some Stones tunes. Some Luther Vandross tunes. A couple of my songs and just songs that I like. Everything is really based on the message of the lyric for me because, as I'm walking through this path and realizing I can't really sing a lie, you know what I mean? It's kind of like I really want to sing stuff that at least makes sense to me in my head and my heart - mostly in my heart - and that has some kind of lingering energy and lingering message. So, it's a show of just intimacy between myself and Taylor Eigsti, who is an amazing and sensitive player. And we get to really dig our heels into the song - the craft of the song, not how it's made, but how it tastes, you know, what it smells like, what it feels like, what it breathes like. And, so, that's basically what the tour is about.”

    All this begged the question: Can we expect a long-overdue solo album from her in the near future?

    “Yeah, we've been talking about it. So, we hope to record this joining. It’s really beautiful to me. It's just something about the LisaFischer Djeneba Aduayom 2Photo by Djeneba Aduayom
    way Taylor plays. He plays like a singer with as many voices as he has fingers and it's just so colorful. His choices are so tasty. And, so, I get to glide upon these beautiful choices and it makes me react differently to the melodies that are already set. It starts to become this other thing; not what you think you know; a little bit of what you know, but not completely what you know. It's almost like a new breath, a new kiss, a new experience when we're going through the music.”

    As for what is on Lisa’s radar for the next year or two, she shared:

    “I'm really interested in doing a Christmas record. I haven't done one ever and I've always wanted to do one. And, so, I’m in the process of collecting songs that I find really interesting. Some classic things. I also want to do some funny things, too, because I have a kind of sick sense of humor. Ha! Ha!

    “I grew up with two boys. I'm the only girl so, a lot of times, they're giggling and teasing and doing all kinds of things. What would be funny to a boy sometimes isn't funny to a girl. But a lot of the stuff that my brothers did was hilarious to me. My sense of humor is a bit more boyish. So, yeah, I want to do a couple of things that are just kind of mischievous and other things that are a bit more classic. So, I'm looking forward to that.

    “I'm also looking forward to just doing different joinings, different joinings with different people, different musicians; doing house concerts and different things like that where it's just personal. I just love the personal touch, even though I really enjoyed doing stadium work, because it's almost as though the whole stadium is one person. It's like all these people come together, all the different human beings come together in one space at a particular time to have and share an experience. So, in that sense, they are one body. I do love the sense of just the madness and the excitement of a stadium. And luckily for me, I've enjoyed so many different realms as far as concert halls or clubs or arenas or stadiums or just different places, you know, in someone's home. To me, it's music. It's all connection. It's all this conversation. It's all personal.

    “I'm looking forward to just having different experiences and I never know what's going to happen, which is kind of exciting, too. You know, you may get a call to do X, Y or Z. Like, last year I got to sing with a woman named Ledisi, who's freakin awesome! She's an amazing artist and she was with Jules Buckley, the conductor and the Metropole Orkest and it was just so much fun. We did a Nina Simone tribute. It was on the BBC and it was really great. So, situations like that where I get to do art for art's sake. It's just so fun for me.

    “And, then, my pet project in my mind, even though it's hard to find time, but I really do need to find time - is that I sort of believe that melodies and the vibration of sound can heal people on a - not only on a spiritual level but a medical level.

    “Let's say, for example, sound breaking glass. I feel that certain illnesses could be healed in the same way, the same thought. We destroy cancer; you destroy mental illness; we destroy diabetes. I know it sounds crazy, but I'm sure there's been - there's been a lot of work, I think, that on it and I just need to read up and see what has been done. I can see where I can be useful in that realm because I have memories of pitches of songs and keys from years ago. I think I can remember the sound of the color of a note. It doesn't matter how long ago I heard it. So, I'm hoping that I can use that gift in order to help heal people in that realm. So, that's something I'm looking forward to exploring, as well.

    Wrapping up our chat, I asked Lisa Fischer how she hoped to be remembered and what she hopes her legacy is.

    “Actually, I haven't really thought about a legacy. I would hope that people feel a sense of feeling when they think of me singing something or any recording, perhaps. It's all about the healing, for me.”

    Join us in keeping up with Lisa Fischer by visiting her website, LisaFischerMusic.com. While you’re there, check out her tour itinerary to see if she’ll be appearing near you. It will be a show that you won’t want to miss!

     

  • Somebody Up There Likes Me - The Review

    Somebody Up There Likes Me One Sheet LSomebody Up There Likes Me
    Ronnie Wood
    Eagle Rock Entertainment
    Release Dates:
         Virtual Cinematic Release: September 18, 2020
         DVD Release: October 9, 2020

    Everybody loves Ronnie Wood. We’ve wanted a documentary like ‘Somebody Up There Likes Me” for a very long time. This film is of a road worn Ronnie. An introspective Ronnie. A transparent Ronnie. A content Ronnie. Yes, even a healed Ronnie.

    We all know that Ronnie formally joined the Stones back in 1975. We also know of his days with Rod Stewart, Jeff Beck, and others. What “Somebody Up There Likes Me” gives us is additional insight into those days and the past and current relationships.

    As the big rock and roll machine called The Rolling Stones keeps its musical blitzkrieg crushing forward, the bad boys of rock and roll are mellowing. They’re showing love, concern, and a sense of their own mortality. No one demonstrates this more than Ronnie.

    We see glimpses into the good ol’ days of Ronnie with The Faces and The Jeff Beck Group. The documentary features brand new interviews with Wood’s Rolling Stones bandmates Mick Jagger, Keith Richards and Charlie Watts, as well as his Faces bandmate, Rod Stewart. Other interviewees include Wood’s wife Sally Wood, singer Imelda May and artist Damien Hirst, alongside both present-day performances and archive footage from Wood's stellar multi-band career. Due to time constraints, there are a lot of Ronnie’s past left out of the documentary but the choices as to what to cover and include are superb ones. No complaints from Boomerocity.

    As was shared previously, this is Ronnie Wood's first in-depth film biography and will be available to watch as a virtual cinema event from September 18th. We highly recommend catching that premier because it’s a goody. The premier will be followed by a DVD, Blu-ray and deluxe hardback book release on October 9th. And, yes, Boomerocity will be securing its copies of these, too. We strongly recommend that you do, as well. In fact, purchase several copies for holiday gifts this year.

    As an artist, musician, producer and author, Ronnie Wood has made countless contributions to the cultural zeitgeist. Yet, there is so much more to know about the man himself. This intimate portrait traces the many lives and careers of one of the most important guitarists in music, capturing what it means to be a rock ‘n’ roll icon.

    Boomerocity is going to watch it and buy it. Join us!

    Order your tickets for the virtual premier by clicking here.

    Order your own copy of the movie by clicking here.

  • The Rolling Stones - Atlanta, Georgia 2015

    The Rolling Stones
    Bobby Dodd Stadium
    Atlanta, Georgia
    June 9, 2015


    Photo By Lisa Nally-Patterson

         

    Last night’s performance by the Rolling Stones at Atlanta’s Bobby Dodd Stadium was one for the record books. From the opening chords of “Start Me Up” to the final fireworks marking the end of the show, the band put on a show that pleased the sold out show of forty thousand of the Stones’ closest and dearest Atlanta friends.

    When I interviewed Stones backup singer, Bernard Fowler, the day prior, he told me that the band was the best that they’ve ever been . . . and I have to agree. I do so not because it was error free, because it wasn’t. I agree because there was a sense of realness, of genuine fun and even whimsicalness amongst the band . . . especially from Mick.

    Yeah, way.

    This was my third time seeing the Stones perform. I own and have repeatedly watched their performance DVDs. Until last night, I have never seen Jagger joke, smile, laugh and compliment as much as he did last night. Nothing has been shared with me by anyone in the band or its organization but I have to wonder that there’s a greater appreciation of the lighter things of life. Perhaps since Mick suffered the losses last year of his long time girlfriend, L’Wren Scott, and his long time sax man, Bobby Keys, life has taken on new meaning. It’s his business and none of ours but I do like seeing a jovial Jagger after all these years.

    Back to the show.

    It’s virtually impossible for the Stones to play every song that every fan would want to hear during an approximately two hour show. That said, the boys from Britain served up great treatments of their classics. I got what I wanted with “Start Me Up,” “Can’t You Hear Me Knocking,” “Miss You,” “Midnight Rambler,” and “You Can’t Always Get What You Want” (with help from Emory University’s concert choir) as one of the two songs during the encore.

    I hope that the Rolling Stones are around to perform for many more years to come. Judging from last night’s show, I think they will be.

  • You Can’t Always Get What You Want

    you cant always get what you want cover final.bYou Can’t Always Get What You Want
    By Sam Cutler
    Publisher: ECW Press
    Released: February, 2010
    Reviewed: May, 2010

    The sixties were both an idyllic and turbulent time. For Sam Cutler, the last year of that decade certainly seemed to have started out as idyllic with him landing what appeared to be the uber sweet gig as road manager for the Rolling Stones’ U.S. tour. However, as with society, Cutler’s decade ended with a turbulence that would haunt him to this day.

    This curse – this albatross, as it were, was a disaster called “Altamont”.

    Much has been written and speculated about the horrific concert. A film, Gimme Shelter, was even made of the tragic events on December 6, 1969. And, while lawsuits and trials resulted, a full official investigation into what happened at the northern California festival has never been conducted.

    For the first time, Sam Cutler tells what he knows, and what he suspects, surrounding the events leading up to, through and after that fateful day. If what he says is even half accurate, the implications can be quite frightening.

    I’m not going to tell you the story otherwise why bother to purchase the book?

    As incredible and compelling of a story the whole Altamont event, and Cutler’s insight into it, are, Sam has much, much more to share. The book reads like a who’s who of rock and roll royalty. You’ll also gain incredible insight into the unique world of the Grateful Dead, whom Cutler went to work for after the Stones literally abandoned him immediately after Altamont.

    For business geeks like me, you’ll be mesmerized by the multiple stories of the rough and tumble world of road management in a rock and roll circus. It’s tough, it’s scary and it’s not for the faint of heart.

    Sam Cutler tells it like it is. The sex. The drugs. The rock and roll. It’s all there in all of its glory. So are the stories of our favorite rock icons. Did you know that they’re actually human?

    Who woulda thunk it?

    If you love classic rock and have a fond appreciation of the sixties and seventies, the Sam Cutler’s You Can’t Always Get What You Want is a must have for your library. Seriously.

    You can also track Sam via his website. He’s quite a guy who still has a lot to say.