• Flux

    Rich Robinson
    Label: Eagle Records
    Release Date: June 24, 2016
    Review Date: June 19, 2016

    Flux, is the brand new studio album from celebrated Black Crowes founding member / guitarist Rich Robinson. And take it from Boomerocity: this album stomps!

    With Flux, Robinson presents his most accomplished solo album to date – 13 new, original songs that draw deeply on his diverse roots. A blues-rock odyssey straight from Robinson’s soul, the guitarist returned to Applehead Studios in Saugerties, NY, the recording facility that has become his creative hub. Nestled away within Woodstock’s famed artist enclave, Robinson’s work at the studio has yielded Woodstock Sessions, The Ceaseless Sight, and now Flux. The entire writing and recording process, explains Robinson, is the driving force for his creativity. “I love being in the recording studio,” states Robinson simply. “It fuels the desire to create within me. I enjoy watching it unfold. Each development fires another idea and in the end, you have this organically created song that seemingly came out of nowhere. It brings me such joy and peace. It never ceases to amaze me.”

    Flux showcases a rich variety of tempos, tones, and guitar tuning, ranging from the vibrant swagger Robinson first popularized with the Black Crowes to the rich, evocative allure evident in songs such as “Sleepwalker” and “Ides of Nowhere.” “These were great examples of songs transforming from little ideas I originally had. Both just came alive when I had the band with me in the studio. They weren’t anything like what I had first envisioned. It was exciting to experience that process.”

    Robinson’s creative process within the recording studio shaped such standout Flux tracks as “Music That Will Lift Me,” The album’s first single. “I am always excited by the creation itself,” Robinson explains. “I used the studio to specifically write that song. I had these parts written but it started to unfold once I got to Applehead Studios. “I later wrote the lyrics in Nashville and it had really evolved into something special.” Brimming with redemptive spirit, Robinson’s vocal and guitar work shine throughout. Joining him on the track is Charlie Starr of Blackberry Smoke, who lends guitar alongside Robinson’s own.

    Backed by musicians Matt Slocum (keys), Marco Benevento (keys), Danny Mitchell (keys) Zak Gabbard (bass), Joe Magistro (drums / percussion), and vocalists John Hogg and Danielia Cotton, Robinson transports the listener with a powerful collection of music. From the groove-laden feel of opener “The Upstairs Land,” the kick of funk via “Shipwreck,” and the gospel swell of “Everything’s Alright,” to the emotional build-up of “Life” and the hearty stomp of closing track “Sleepwalker,” Flux ebbs and flows through moods, delivering a varied listener experience.

    A creative soul through and through, Robinson is not only presenting Flux this year, but his artwork was recently displayed at both Morrison Hotel Gallery in NYC and Truth North Gallery in Canada. In May and June, Robinson will serve as a special guest guitarist for Bad Company. Robinson and Bad Company lead vocalist Paul Rodgers recently met and collaborated on a tribute to Jimmy Page. Rodgers was so impressed with Robinson that he asked him to take part in this special Bad Company US tour. Robinson will also embark on an extensive US solo tour kicking off in July. Additionally, he recently collaborated with Zac Brown on his new album and is also featured on “The Way Home” -- the final track of producer David Cobb’s concept album Southern Family – with gospel choir the Settles Connection.

  • High Water II

    highwateriicoverHigh Water II
    The Magpie Salute
    Studio: Eagle Rock Entertainment
    Release Date: October 18, 2019

    Boomerocity is a huge Rich Robinson fan. We’ve had the privilege of interviewing him a while back (here) and hope to interview him again in the future. Great guy as well as a solid guitarist, singer, and songwriter. We always love hearing his latest here at the Boomerocity compound.

    With rumors abounding that the Black Crowes may or may not be reuniting, it’s perhaps both timely and fitting that Rich’s band, The Magpie Salute, is releasing their new full-length LP High Water II on CD, 2LP, and Digital Formats via Eagle Rock Entertainment (U.S.), Mascot Label Group (Europe/Australia/New Zealand), and Sony (Japan).

    For those of you who don’t already know, the band was formed by Rich, joining forces with former Black Crowes bandmates Marc Ford (guitar) and Sven Pipien (bass), along with vocalist John Hogg, drummer Joe Magistro, and keyboardist Matt Slocum. Kicking off their collaboration with a seminal show in Woodstock, NY in 2016, the band has toured with the likes of Govt. Mule, The Avett Brothers, and Blackberry Smoke.

    If you haven’t heard them, yet (if not, why not?), think Rich’s signature sound with a little bit Petty, a little smidgen of Dylan, a dash of Harrison and Clapton, and a lot a bit Robinson originality. Very, very cool.

    Following the September 6, 2019 release of the “In Here” EP, High Water II delivers The Magpie Salute’s new American Roots Rock sound. The first single “In Here” is currently charting on Active Rock, Classic Rock, and AAA stations. Recorded simultaneously with 2018’s High Water I, High Water II completes the musical journey the band started when they began recording this two-album project at Dark Horse Studios in Nashville.

    We’re all really happy to put out the second half of High Water,” says Robinson. “Since it’s inception, I always viewed it as a single piece. High Water ll will tie together both albums into a whole journey."

    Produced by Robinson, High Water II boasts 12 new songs, including “Lost Boy,”co-written by Ford and Robinson, with special guest Alison Krauss contributing background vocals and fiddles.

    With High Water II, The Magpie Salute invites listeners into their storytelling and sing-along sound. As stated via “In Here”:

    We stand alone in our creation
    And lay it out for you
    So come on in I’ve got some answers,
    tell you what to do

  • Rich Robinson In Flux

    Posted December, 2016

    richrobinson credit alysse gafkjen001 cropPhoto by Alysse GafkjenIn the fall of 1990, I was driving from Raleigh, North Carolina, through the mountain of East Tennessee/Western North Carolina, listening to a static riddled FM rock station. The night was dark and Interstate 40 was steep and I was pushing to get to my grandmother’s place after a week of training.

    After enjoying song after enjoyable, familiar song, something came blasting out of the car’s speakers that I hadn’t heard before. I turned the volume up and tuned my ears in to this fabulous tune I was hearing. The band was a new group called The Black Crowes and the song was a brilliant cover of the Otis Redding hit, Hard to Handle. Like millions of people that year, I became an immediate fan of the Georgia based band.

    Formed by brothers Rich (on guitars) and Chris Robinson (vocals), the Black Crowes enjoyed twenty-five years of success (including over 30 million albums sold) before the brothers decided to go their separate ways. One of the results of that parting is Rich’s new CD, Flux. Raw and gritty, the album is what rock is all about.

    It was about that album that I had the opportunity to chat by phone with Rich while he enjoyed a day or two at home during a tour break. Responding to my question about fan reaction to the album and supporting tour, he said, “So far, it’s been a really good response. Everyone’s been really cool. Crowds have been really enthusiastic about the new songs so it’s been great! I think that people feel that it all works together. I try to look at everything thing as a large piece, you know what I mean? How does this fit into the overall spectrum of what I’ve done? To me, I think it fits right in line with everything and, again, I’m really happy with it.”

    Regarding how the work on Flux was different than all of the other albums he worked on, Rich responded, “I’ve always written the way I write. I go in and the music kind of dictates what it’s going to be – the song that comes dictates what it’s going to sound like; what’s going to happen, and that’s a cool thing to me. The way I create always comes down to what’s this going to bring out, ultimately. Just kind of get in there and see how it goes and not try to over think it.”

    Technology has had a tremendous impact with some artists as to how they work and record in the studio. I asked Robinson if it had affected his approach to recording.

    richrobinson credit alysse gafkjen002Photo by Alysse Gafkjen“No, it doesn’t because I just do it how I’ve always done it. There’s really no difference as far as how I write. This record, in particular, I did go in with less solid songs. I had a ton of parts that I just amassed but I didn’t want to finish them. There’s a sense of urgency in the studio that you have to deal with when you have a finite amount of time. So, you have to make decisions. Sometimes, if you have all the time in the world, you don’t have to make a decision. But if you’re in there and you’re like, ‘Look, I’ve got to do this in one day. What’s this going to look like? How is this going to be?’ Then I think that can really push along the creative process. It forces the focus.”

    I know that picking a favorite song you’ve written is liking being asked to pick your favorite child so I’ll ask a slightly different question: Which song from Flux would you point to as a calling card to people to entice them to purchase the CD?

    “I have no idea! Songs are songs and the interesting thing about all of my records, really, is that it’s all very different. Certain people will say, ‘Ah! That’s my favorite song!’ – people that I talk to. It’s what the person chooses, you know what I mean?”

    You’re touring now, correct?
    “It’s going good. We’re getting ready to wind it up – the first leg. That’s kinda coming down to the end but we have another leg starting. So it’ll be cool.”

    Are you touring with the same group of guys you recorded the album with?
    “Yeah! In the studio it was me and my drummer, Joe Magistro, and keyboard player, Matt Slocum. On tour, I also have Svien Pipien from the Black Crowes playing bass. And, then, I have a friend of mine from Argentina named Miko Bere - a really good guitar player and a really good guy. So, yeah! That’s who we’re touring with!”

    How are the crowds responding to you this tour?
    “Really enthusiastically!”

    For the gear heads out there, a couple of guitar questions:

    Do you mind if I ask how many guitars that you own?
    “I think about fifty or sixty. I don’t know. I haven’t really counted in a while. I think there’s about fifty or sixty.”

    What do you consider to be the holy grail of guitars and do you own it?
    “Um, I don’t think there really is a holy grail of guitars. I think that guitars have their own personality and I think that people can connect with different guitars, you know what I mean? So, richrobinson credit alysse gafkjen001I don’t necessarily think that one is better than the other. Again, it’s like asking what my favorite song (that I wrote) – I really like all of them and I use them for different things. One guitar might be great for a cleaner sound. One guitar might be great for a dirtier sound.”

    Music czar question
    “I would fire everyone who heads every major label and I would fire all of the financial people and I would get rid of the whole fucking lot of them and start over and try to put artists and people who care in charge and who don’t only give a shit about money. That’s what’s really ruined the industry. If you think about it, they’ve ruined every damn thing in the world.”

    Final question: When you step off the tour bus for the final time and go to that great gig in the sky, how do you want to be remembered and what do you hope your legacy will be?
    “Oh, I don’t know. I never think about that. I don’t necessarily do this for a posthumous reason, ha ha! I just do it for while I’m living and whatever happens after that I don’t really care. I guess you want people to like your music and if it lives on, great. It’s not something that I think about, ever.”

    Undoubtedly, all forms of his work will live on.

    You can keep up with Rich, his music, and his art work, at his website, www.richrobinson.net.

  • The Chris Robinson Brotherhood - Knoxville, 2015

    The Chris Robinson Brotherhood

    Bijou Theater – Knoxville, Tennessee

    June 28, 2015


    Photo by Randy Patterson


    What do you get if you take the Grateful Dead, the Allman Brothers, Lynyrd Skynard, blend them all together and put Chris Robinson in as lead singer?  

    The Chris Robinson Brotherhood. 

    And what do you get if you put said Brotherhood in Knoxville’s beautiful and intimate Bijou Theater?

    A full and enthusiastic house.

    The band started precisely on time and blew the crowd away for an amazing two set night. From the opening tune (Roy Brown’s “Good Rockin’ Tonight) to the encore (a cover of Chuck Berry’s “Memphis, Tennessee”), Robinson and crew had the crowd on their feet and eating out of his hands the entire night. From hippies to yuppies, every member of the audience was thoroughly enjoying everything the band played.

    Arguable the most well-received tune of the night was the band’s delivery of “Star or Stoned”.  If Robinson didn’t own the crowd before that song, he certainly did after.  As far as I’m concerned, that song, alone, was worth the price of admission. Whether measured by the number of songs performed or the length of the show, Robinson delivered supreme musical and financial value for the price of admission.

    I’ve got to give special notice to Neal Casal’s guitar work. I could sit and listen to that guy’s versatile playing forever. Y’all gotta check him out. He’s that good!

    As for those who might say, “well, it ain’t the Black Crowes,” I would say, “duh.” The CRB is a completely different band with a completely different vibe and sound. If you love good ol’ rock n’ roll along with a jazz/jam band sound, The Chris Robinson Brotherhood is well worth your investment of time and money. I can’t wait to see them again!