Face The Face (CD/DVD)
Pete Townshend’s Deep End
Label/Studio: Eagle Rock Entertainment
Release Date: September 16, 2016
Review Date: September 7, 2016

If you aren’t acquainted with Pete Townshend’s Deep End, then you’re in for a real treal. “Face The Face” is the first official release of the band’s 1986 show on either DVD or CD format.

Pete Townshend’s Deep End featured a diverse and celebrated line-up of musicians. For this show in particular, Townshend is joined by Pink Floyd’s David Gilmour on lead guitar, Simon Phillips on drums (of Toto fame), and percussionist Jody Linscott, along with Peter Hope-Evans (harmonica), Chucho Merchan (bass), John “Rabbit” Bundrick (keyboards), The Kick Horns (Simon Clarke, Roddy Lorimer, Tim Sanders, Pete Beachill & Dave Plews), and backing vocalists: Billy Nicholls, Ian Ellis, Chris Staines, Gina Foster, and Coral Gordan. Pete Townshend leads the pack on guitar and vocals.

Filmed for the famous German TV series Rockpalast at MIDEM in Cannes on January 29, 1986, Face The Face captures Pete Townshend’s Deep End while they were in the midst of touring in support of Townshend’s solo concept album White City: A Novel. The set list boasts tracks from the White City album, additional Pete Townshend solo tracks, The Who classics, David Gilmour’s “Blue Light” and a couple of surprises. The set booms with performances of “Face The Face,” “Secondhand Love,” “Rough Boys,” “Slit Skirts,” “Give Blood,” “Won’t Get Fooled Again,” “Behind Blue Eyes,” “Pinball Wizard,” and more.

Face To Face is a fascinating and compelling release. Pete Townshend and the band deliver an outstanding performance that showcases him as a solo artist distinct from his work with The Who.

Who I Am
Author: Pete Townshend
Publisher: Harper
Release Date: October 8, 2012
Review Date: October 14, 2012

In his highly anticipated autobiography, Who I Am, rock icon Pete Townshend share the story of his evolution from angry young Mod to one of the defining musicians of his generation. The songwriting genius behind the music of The Who, as well as the group’s aggressively talented guitarist, Townshend has long been the thinking man’s rock star, and this introspective and candid memoir charts the musical, intellectual, and spiritual journey that has shaped his life and career. Townshend writes frankly of his constant search for meaning, while sharing stories from the wild heyday of The Who and beyond.

Born at the end of World War II, Townshend was the son of a Big Band saxophonist and a former band singer. Growing up in West London, he spent part of his childhood being shuffled between his parents and his eccentric grandmother, in whose care he was often left alone, exposed to the drunken predilections of her lovers. Pete would spend a lifetime trying to sort through his dark past.

Townshend’s talent landed him at Ealing Art College, but the lure of music was too strong. With the help of his childhood friend John Entwistle, he joined Roger Daltrey’s up-and-coming party band, The Detours, which soon incorporated the manic Keith Moon on drums and morphed into The Who (despite Townshend’s initial idea of calling the group The Hair).

Townshend soon assumed the primary songwriting duties for the band, which began releasing hit records such as My Generation and Magic Bus. While showered with fan adulation and the freewheeling opportunities for sex and drugs afforded the rock star, Townshend remained somewhat uncomfortable playing the role of 1960's guitar hero. Though he dropped acid a number of times, his experiments with drugs were far less adventurous than some of his fellow musicians – as were his sexual dalliances as he tried, though sometimes failed, to remain faithful to his wife, Karen. For Townshend, the music mattered most, and he was bored by the prospect of just churning out hit records. Instead, he began to conceive something bigger – the rock opera that became Tommy and established The Who as one of the seminal groups of all time.

Townshend’s unbridled account of touring with The Who in the 60’s and 70’s chronicles their antics onstage (the guitar smashing, the exploding drum sets, and the New York City cop whom Pete once kicked in the groin during a performance) and off of it (jumping from a hotel balcony along with Keith and nearly dying in the bargain). They played Woodstock, where Pete speared a disgruntled Abbie Hoffman in the neck with his guitar, as well as some of the great opera houses of the world. Through it all, Townshend yearned for more, and found his spiritual awakening in the teachings of the Eastern guru Meher Baba. Those teachings would shape his music, including Tommy, Quadrophenia, the long-simmering Lifehouse project, and all the music and writing that has come after.

Even as he rode the crest of his creativity, Townshend battled a long substance abuse problem, and he writes openly about that struggle. He also writes movingly of the tragic death of Keith Moon and the later passing of John Entwistle. He describes the nearly surreal ordeal of his arrest on child pornography charges, and relishes the honors, including induction into the Rock and Roll Hall of Fame and receiving the Kennedy Center Honors. An impressive post-Who solo career has led to collaboration with many of his rock contemporaries, as well as major writers and artists. Not slowing down, he is at work on a new opera, Floss.

The Boomerocity highlights of Who I Am involve the stories about his personal relationships with those people we don’t know (parents, grandma, friends, acquaintances) as well as details that Townshend shares about his spiritual journey. That all said, the book is thoughtfully and intelligently written no matter who or what subject Mr. Townshend shares within its pages.

Fans of The Who will definitely want this book as part of their private library – both for the first “read” as well as future reference, it’s that well written.