Posted September, 2016
How would you feel if you produced records for people like Aretha Franklin, Whitney Houston, George Michael, Mariah Carey, Stacy Lattisaw, Steve Winwood, Ray Charles, Sister Sledge, Patti Austin, Gladys Knight, Rev Al Green, Barbra Streisand, Lionel Ritchie, Elton John, Sting, Carlos Santana, Shanice Wilson, Tevin Campbell, Lisa Fischer, Stevie Wonder, Tom Jones, Wynonna Judd and The Temptations?
On top of that, what if you were awarded Grammys for Producer of the Year, Album of the Year for a movie soundtrack for a major motion picture? Or named by Billboard Magazine as one of the “Top Ten Producers with the Most Number One Hits”?
Well, if you could claim all of those accomplishments, then you would have to be none other than Narada Michael Walden (he goes by Narada). And as amazing as all of that is, Narada has also earned equal acclaim as a solo recording and performing artist.
His solo work includes groundbreaking soundtrack work on such blockbuster films as The Bodyguard, Free Willy, Beverly Hills Cops II, 9 ½ Weeks and Stuart Little including Gladys Knight’s License to Kill for the James Bond Film, Jefferson Starship’s Nothing’s Gonna Stop Us Now for Mannequin to the EMMY-winning One Moment in Time, the theme to the 1988 Olympic Games.
Let me stop and catch my breath.
Okay, I can go on now.
In early February 2012, Narada Michael Walden returned from a well-received 10-day stint of shows at the Blue Note in Tokyo and Nagoya, Japan to perform at the White House in an all-star band for President Obama’s “Red, White and Blues” concert with legends B.B. King, Buddy Guy, Mick Jagger, Trombone Shorty, Booker T Jones and more.
A while back, I had the opportunity to chat with Narada by phone while he was taking a
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