Rich Robinson In Flux

Written by Randy Patterson

Posted December, 2016

richrobinson credit alysse gafkjen001 cropPhoto by Alysse GafkjenIn the fall of 1990, I was driving from Raleigh, North Carolina, through the mountain of East Tennessee/Western North Carolina, listening to a static riddled FM rock station. The night was dark and Interstate 40 was steep and I was pushing to get to my grandmother’s place after a week of training.

After enjoying song after enjoyable, familiar song, something came blasting out of the car’s speakers that I hadn’t heard before. I turned the volume up and tuned my ears in to this fabulous tune I was hearing. The band was a new group called The Black Crowes and the song was a brilliant cover of the Otis Redding hit, Hard to Handle. Like millions of people that year, I became an immediate fan of the Georgia based band.

Formed by brothers Rich (on guitars) and Chris Robinson (vocals), the Black Crowes enjoyed twenty-five years of success (including over 30 million albums sold) before the brothers decided to go their separate ways. One of the results of that parting is Rich’s new CD, Flux. Raw and gritty, the album is what rock is all about.

It was about that album that I had the opportunity to chat by phone with Rich while he enjoyed a day or two at home during a tour break. Responding to my question about fan reaction to the album and supporting tour, he said, “So far, it’s been a really good response. Everyone’s been really cool. Crowds have been really enthusiastic about the new songs so it’s been great! I think that people feel that it all works together. I try to look at everything thing as a large piece, you know what I mean? How does this fit into the overall spectrum of what I’ve done? To me, I think it fits right in line with everything and, again, I’m really happy with it.”

Regarding how the work on Flux was different than all of the other albums he worked on, Rich responded, “I’ve always written the way I write. I go in and the music kind of dictates what it’s going to be – the song that comes dictates what it’s going to sound like; what’s going to happen, and that’s a cool thing to me. The way I create always comes down to what’s this going to bring out, ultimately. Just kind of get in there and see how it goes and not try to over think it.”

Technology has had a tremendous impact with some artists as to how they work and record in the

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