Posted June 2017
I gotta tell you a true story. I first became aware of blues great, Sonny Landreth, when received a review copy of his CD, Elemental Journey, before it was released. I had it in my car when I was picking up Andy Timmons to head out to see Boston in concert. The disc was playing when he got into the car and the first words out of his mouth was, “Great tone!” and he didn’t even know it was Landreth. Even without Andy’s enthusiastic endorsement, I became an immediate fan.
So, when the opportunity recently presented itself to chat with Sonny, a) I immediately and eagerly agreed; and, b) I started our chat by mentioning the story, above, to which he said:
“That’s a great sign. I like that! That’s cool. That’s really cool.”
The main purpose of our chat was to discuss Sonny’s latest live CD entitled, Sonny Landreth Recorded Live In Lafayette. I asked if I had counted correctly that this was his seventeenth album and second live disc, to date.
“Uh, the first number is kind of a gray area. It’s kind of a tough question. But, yeah, it’s the second live album. There’s been various incarnations of some really old stuff. If you count all those incarnations, it adds up to more than it actually is. Ah, it doesn’t matter. As long as they’re all out there, I’m glad to know that.”
I was curious as to why this album and why Lafayette.
“Well, Lafayette because advantage of proximity and resources here. The venue, first of all, is downtown. It’s a beautiful place. It was designed for performance arts. Real nice theater. I played there with a bunch of other people in other shows. And we’ve played there with our band with some gigs. So, there’s that and it’s set up really well for production.
“My engineer is only a few blocks away. Some of the other players are real close. Some just down the road. So, we would pull all our resources in the way of gear an being able to get back and forth. And, really, there’s nothing like sleeping in your own bed at night and, at least, take the discomfort factor out of it. And it also enabled us to get in and have different nights – more than just one night. We went in on Monday and set up and did sound check and went through the songs with our guest artists. Then we recorded Tuesday, Wednesday, and Thursday at the end of January with the idea of getting the best out of all of that. So, that was the deal with the venue.
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